America Ferrera Quotes
Quotes to Explore
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I don't like losing a ballgame any more than a salesman likes losing a sale.
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I am a pop culture person. And car people have clearly contributed to pop culture, which is how I knew about purple French tail lights and 30-inch fins without exactly knowing what they were.
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If somebody says they really like my playing I say thanks a lot.
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I'm not afraid to be lonely at the top.
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You possess a potent force that you either use, or misuse, hundreds of times every day.
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Tell people you're a Canadian or a Kiwi when you travel and they'll adore you.
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Your man Daddy Yankee, some black and white people who know what's going on in the 'hood and the clubs are supporting him and loving him. But he's speaking Spanish, and he's speaking directly to the Latino people, and the people who know the language really dig it.
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It gives me immense pleasure to be trustworthy, faithful, and true – to have the kind of romantic bond that inspires this.
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I want to lay all my cards out on the table and walk away with no regrets.
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The homosexual community has more acceptance in America than it ever has, and the suicide rate is as high as it's always been.
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All the best parts of art come from pain turned to celebration.
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The gravest risks from al Qaeda combine its affinity for big targets and its announced desire for weapons of mass destruction.
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First, to begin with, Mexico is North American; the one that is using wrong the term is United States. United States is not North America. North America is Mexico, United States, and Canada.
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I live - I live a highly scheduled life. There's absolutely no time wasted. I'm very focused. And I have a great assistant.
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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I didn't only have a perceptual problem, I was also so nervous and so upset. The process just didn't work. I lost enthusiasm for school and I flunked second grade. The teachers said I was lazy.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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The left-brainer and the economist in me says watch what people do, not what they say.
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I've always made weird sounds with my mouth. I've always been fascinated by the sound design, what you can do with your mouth. I was the kid dancing around in third grade on the basketball court. While everyone would be playing sports, I would be jumping around.
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Since I'm so slow, I have to be fairly choosy about the projects I take on, and it can't be something that I'm only 'sort of' into. I knew that 'The Stand' would be an amazing challenge every month that would be a blast to illustrate.
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When you're playing this bad of a character, it's obviously not reality for someone who's not living that life.
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I don't know anything about propaganda for Chinese reunification. I only know about charity and environmental work. I just want to do good.
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Our struggle does not end so long as there is a single human being considered untouchable on account of his birth.
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There's something pretty awesome about staying with a character and growing.
