Amity Gaige Quotes
Quotes to Explore
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Its no secret that I've never liked tax credits.
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Nobody is bothered about an institution more than its alumni.
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Despite the obvious benefits, many Americans do not like Texas. Some even say they despise Texas, and make no secret of their feelings.
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I build community. However, I do it wearing a number of hats.
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Our mission is to help founders and anyone or anything that helps founders helps us with our mission.
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Life moves fast. As much as you can learn from your history, you have to move forward.
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I grew up in Cyprus and Egypt, these fantastic places I remember fondly.
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There are a lot of people in Congress who would never have made a great career or fortune in any other profession. But after they spend a while hanging out with the rich guys, they begin to feel they've been undervalued, and that an eventual seven-figure income as a lobbyist isn't just an opportunity, it's their due.
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If something is mine, then I want to keep it.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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A dinner invitation, once accepted, is a sacred obligation. If you die before the dinner takes place, your executor must attend.
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Any idea, plan, or purpose may be placed in the mind through repetition of thought.
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I'm lucky in some ways in that I really don't need more than five or so hours of sleep.
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We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.
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I'm not a singer. In 'Bye Bye Birdie,' I think I was the sad girl who sits on the park bench during 'Put on a Happy Face.'
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I definitely want to be an inspiration or a role model for all the little girls out there or anyone out there that wants to break stereotypes. I feel like I'm breaking stereotypes with what I'm doing. I'm not the typical fighter, and there's a lot of people out there that won't do something just because they don't fit the stereotype.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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The trouble with us is that the ghetto of the Middle Ages and the children of the twentieth century have to live under one roof.
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Creating things. I love the idea of creation and creativity. Whether it's a character, a short film, a piece of music, a painting, or a bookcase - to watch something go from an idea to a creation is pretty much where it's at for me.
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But patience can't be acquired overnight. It's just like building up a muscle. Every day you need to work on it, to push its limits.
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Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not.
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I have this call in my heart to reach all people.
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'Who's Afraid of Virginia Woolf?' is, to my mind, a work of perfect genius.
