Amory Lovins Quotes
Quotes to Explore
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The wretched and miserable would rise into plenty of joy and happiness as soon as they climb the steps of my mosque.
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When I was very young I was the ugly duckling. I had a lot of complexes. My sister was wonderful and I was nothing.
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I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other people to feel liberated through it.
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The longer I live the more convinced I become that one of the greatest honors we can confer on other people is to see them as they are, to recognize not only that they exist, but that they exist in specific ways and have specific realities.
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I had a long period of writing what I think of as 'save the world' novels. 'Fledgling' was a chance to play.
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My parents encouraged us to commit to things, so if we wanted to learn an instrument, it was all the grades and all the theory.
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I don't work out as much as I should, but I do believe that it's a healthy mind as well as a healthy body that keeps me fit, sound and calm.
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I have one talent, and that's figuring out what people want about two minutes before they know it themselves.
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Auditions are not a natural environment, and you feel judged, even though everyone is just excited to find the right person.
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I have a Facebook page for me and my friends and a Twitter page.
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They call it The New Avengers but it's really the old Avengers with new people except for me, looking rather fat and rather old.
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I did no research on 'The Best Man.' That was something that came out from my own head.
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I don't really care what other people see me as. I seriously don't. I've always worried about what my opinion of myself is. And I've always thought that it carries most weight. So I don't care what other people's opinion of me is or how they view whatever I've said or done.
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I've got many different voices - I have a Southern girl, an Irish girl. I have a gibberish language that you'd have to decipher. I guess I try to never take myself too seriously.
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Infinite growth of material consumption in a finite world is an impossibility.
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When we do fantasy, we must not lose sight of reality.
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You're a fucking bitch. I'm going to destroy you.
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There is only one collective human civilisation comprised of geo-cultural domains and cultures.
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A tautology's truth is certain, a proposition's possible, a contradiction's impossible. (Certain, possible, impossible: here we have the first indication of the scale that we need in the theory of probability.) (4.464)
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Nothing moves except my eyes and my hand occasionally turning a page, and yet something not exactly defined by the word 'text' unfurls, progresses, grows and takes root as I read. But how does this process take place?
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If you really want to tell someone you love them, you don't just go and blurt it out. There's a dance. And your movie does that.
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My dad was a designer for Upper Deck, and I had hundreds of Ken Griffey Jr. cards. Hundreds. I could have paid for college with them.
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Facts are more mundane than fantasies, but a better basis for conclusions.
