Amy Bloom Quotes
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My target audience is anyone who finds the world interesting and human behavior fascinating, terrible, inspiring, funny, and occasionally, mysterious.
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There are two trilogies I admire: Robertson Davies's 'The Deptford Trilogy' and Philip Pullman's 'His Dark Materials.'
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I didn't think being a writer was a fancy thing. It was a job like any other job, except apparently you could do it at home.
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I was the kind of reader in smudged pink harlequin glasses sitting on the cool, dusty floor of the Arrandale public library, standing at the edge of the playground, having broken a tooth in dodge ball, and lying under my covers with a flashlight.
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If you're an American reader, you can love short stories the way other Americans love baseball; this is our game, people! We have more than two hundred years of know-how and knack, of creativity.
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I do have a sister. I have never written much about sisters before. I am very close to my sister, but, maybe, because we are very close, it never occurred to me to write about her.
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I find the 1940s very compelling. It is a very excitable period in the U.S. when, whether out of necessity or not, everybody was reinventing themselves.
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'Lucky Us' ends with a description of a photograph of the novel's fictional family. I could never get enough of my own family photo albums.
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My father certainly believed that one could make a living outside of an office, as he did. And that if I didn't want to work for other people, there wasn't any reason why I had to. He conveyed that very strongly to my sister and I - that smart people can make their own livings.
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My family kept its history to itself. On the plus side, I didn't have to hear nightmarish stories about the Holocaust, the pogroms, terrible illnesses, painful deaths. My elderly parents never even spoke about their ailments.
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I get to tell the most interesting stories I know how to tell with the most interesting sentences I know how to compose - and people who aren't related to me read them. To be paid to write things that matter to me is extraordinary.
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My sister and I used to act as maids and waitresses at my great aunt and uncle's cocktail parties, which were very much sort of retired, minor stars of the Yiddish theater and the Yiddish opera.
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If the characters are not alive to me, it doesn't matter how good the sentences are. It just becomes all cake and no frosting.
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I'm sure I've been influenced by every fine writer I've ever read, from Dickens and Austen to Auden and Jane Hirshfield. And also, the short stories of Updike, Cheever, Munro, Alice Adams, and Doris Lessing. And the plays of Oscar Wilde. And paintings by Alice Neel and Matisse.
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The great pleasure for me in writing short stories is the fierce, elegant challenge.
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As children, we think our mother has always been a mother, but it is just one of the roles you may have the opportunity to play. They don't define you as a human being.
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I assume as a writer that most of the time I'm going to fall down and fail.
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Training to be a therapist teaches you to shut up and listen, and that is certainly useful as a writer.
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I usually don't have to do a lot of research in my work, as I'm writing about something I'm already familiar with.
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I learned how to write television scripts the same way I have learned to do almost everything else in my entire life, which is by reading.
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Bad people doing bad things is not interesting. What I find interesting is good people doing bad things.
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I've written the best work I know how. And I'm appreciative of the people who read it and care about the work - and that's pretty much the end of that.
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Keep your mouth shut and see what's happening around you. Don't finish people's sentences for them. Don't just hear what they say, but also how they behave while they're saying it. That was great training for writing.
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I spent a lot of time listening to people. But it's also true that I liked details and listening to people when I was a bartender and when I was a waitress and probably when I was a babysitter as well. I suspect that's part of what drew me to psychotherapy rather than the other way around.