Yasmine Al Masri Quotes
Quotes to Explore
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Clinton has more important things to worry about. He not only risks being destroyed historically, like Afghanistan's Buddha statues; he also could end up going to jail.
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I want to direct what I feel is interesting - not what is supposed to be my zone.
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Art is about play and about transcendent meanings, not reducible to politics.
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So I went to English school, secondary English school, so forget going to Mecca for my religious education.
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Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy.
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Often it seems that there are writers who are their best selves on the page. That Seamus Heaney was as genuine and deeply admirable in person as in his poems was to me a gift, then as now.
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Leaving the old, both worlds at once they view, That stand upon the threshold of the new.
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When I was in my early 20s, I studied tae kwon do and hapkido. I earned brown belts in both of them.
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President Obama's over in Indonesia when guys like me were at a paper route. President Obama, I don't know what experience he had at that same age when he was in Indonesia. So I think it's hard for him to grasp that America entrepreneurial spirit.
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A college degree is the key to realizing the American dream, well worth the financial sacrifice because it is supposed to open the door to a world of opportunity.
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There are female artists I can look at that I find more in common with than the male artists, because they're blending the pop, dance and theatricality... but currently there aren't a lot of guys who go there.
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We are not interested in the possibilities of defeat. They do not exist.
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A lot of the time, when I watch actors now, I think, 'I don't believe you.'
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Fiction is optimistic or unrealistic enough to demand that there should be a meaningful narrative.
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My great-grandchildren will not be able to enjoy the Gulf Coast of Louisiana the way I have.
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Since grief only aggravates your loss, grieve not for what is past.
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I like to give my inhibitions a bath now and then.
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With my gift, I can pretty much write a song out of anything.
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I find love stories satisfying when you can see the work - when you can really watch people find each other and fall in love, a little bit at a time. I like slow burns. Falling in love is so good; why would you want to rush it?
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Watching myself fight, I realize the line between success and failure is so narrow, it's scary.
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But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
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I always think of my films within the context of where aesthetics meet economics. That's the nature of making art - not being naive about what is possible and getting what you need to tell the story you want to tell.
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To be a veiled Muslim woman on screen is a very scary minefield for me.
