Amy Poehler Quotes
Quotes to Explore
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I found that not having a public profile was not hurting the work, and it freed me up to be the satirist I wanted to be.
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He who rejects change is the architect of decay. The only human institution which rejects progress is the cemetery.
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I have odd thumbs that are extremely flexible. I can bend them quite far down the back side of my hand, basically the opposite side you'd even try to attempt bending your thumb. Because of that, I'm a very good thumb wrestler.
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I am responsible. Although I may not be able to prevent the worst from happening, I am responsible for my attitude toward the inevitable misfortunes that darken life.
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NRDC has helped bring hope spots to more of our shared ocean waters. We helped draft and pass a California law creating a network of underwater parks stretching from the Oregon border to the Mexican border.
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Fuel conservation is as important as fuel production.
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The less you have, the more you enjoy.
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Pigeons are gentle and smart and have complex social relationships. Their hearing and vision are both excellent.
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I hate the giving of the hand unless the whole man accompanies it.
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I'm very, very sensitive to pain and to people who suffer.
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To swear, except when necessary, is becoming to an honorable man.
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I'd love to make a thriller.
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When I was in fourth grade, a novelist came to talk to my English class. She told us that being an author meant sitting at the kitchen table in pajamas, drinking tea with the dogs at your feet.
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When I was starting out, I always wanted to be able to do everything - comedy and drama and action, and everything in between. Film is so diverse, and it's fun to be able to take advantage of all of it.
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I just like seeing the world, and it doesn't matter where.
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A person who has sympathy for mankind in the lump, faith in its future progress, and desire to serve the great cause of this progress, should be called not a humanist, but a humanitarian, and his creed may be designated as humanitarianism.
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I didn't like my hair and makeup one time on a photo shoot, and my publicist told me, 'You should just be happy with it - they haven't had a black girl on the cover since forever.' She's no longer my publicist.
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A lot of times what happens is, not even just with child actors, but people in general, is they get so caught up in the now. The hot song, the hot TV show, the hot movie. You're not saying 'OK, this is cool, but where am I trying to be 20 years from now?' That's always been in the forefront of my mind.
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Being aware is a lot more than just reading a couple of news articles and talking about it on your preferred social network.
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All our work, our whole life is a matter of semantics, because words are the tools with which we work, the material out of which laws are made, out of which the Constitution was written. Everything depends on our understanding of them.
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When I directed my first short – 'American Virgin' – I had no idea if I could actually do it. Like, I might just get onto set, have everyone look at me and just completely freeze and have no idea what to do. But pretty much the opposite of that happened. I was like a fish diving into the sea.
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The essential idea is that the quality of the result is continually at risk during the process of making.
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I had no idea how to get guys to notice me. I still don't. Who cares?
