Liz Phair Quotes
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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We were these arty punks from Hollywood. I considered myself an intellectual.
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Art is subjective. I'm not looking for people's praise.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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If vaudeville had died, television was the box they put it in.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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I think 'Dark Blue' came to me while I was doing a project in London. I read it, and the character immediately popped out at me.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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There seems to be some perverse human characteristic that likes to make easy things difficult.
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Adequacy is sufficient.
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If the stars should appear but one night every thousand years how man would marvel and stare.
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Some people get very confused about my game. They think it's better if the court is slow, because I have a good defence. But the faster it is, the better for me. My spin is more painful for my opponents, my aggressive game works better.
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When I was younger, my family would go camping and fishing on our ranches. My dad loves being around all kinds of animals. He's the one who got me to be a really big animal lover.
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To make a successful film from a successful play is probably much more difficult than making one from scratch, just as any carpenter will tell you that it is more difficult to restore an old house than to build a comparable new one.
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I have to go through auditions, and my surname has got me into rooms, but I'll never know if it gets me any jobs. There's a lot of sexism and objectification, and a lot of people put you down.
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It's difficult to say what attracts one person to another. It's always a combination, isn't it? I've always found people interesting because of the way they think, and a sense of humour is irresistible.
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I'm inspired when I find out about something that I didn't know was a remake. An example is, of course, stuff like 'The Fly,' or 'The Thing,' or even 'The Blob.' For our generation, all those things, whether it was 'The Blob' or 'The Fly' or something else, we had no idea they were remakes.
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When 'Mulholland Dr.' was voted the Best Film of the Decade, that was very meaningful for me. That film opened up incredible doors for me, and I believe that that was the reason I was given opportunities to play all kinds of characters.
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This was what she needed… the quiet turning to the other in the middle of the night, the wordless meeting of lips, skin, breath. The trust, unfurling one pale petal at a time, that he would be there.
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I remember our conversations [with Zachary Quinto] always being frustrated that we weren't doing what we wanted to do, but also filled with the determination that we were going to overcome that.
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I remember even getting kicked out of a bar once because I was too loud and obnoxious.
