Liz Phair Quotes
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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We were these arty punks from Hollywood. I considered myself an intellectual.
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Art is subjective. I'm not looking for people's praise.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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I would love to work with Anthony Hopkins; I would love to work with Meryl Streep; I would love to work with DeNiro; I would love to work with Johnny Depp; I'd love to work with Brad Pitt, Matt Damon, Gwyneth Paltrow... I think she's amazing.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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If vaudeville had died, television was the box they put it in.
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If you've got cockles, those nickel-size, heart-shaped mollusks, and you want to get fancy, steam them, then toss the meat in finely ground cornmeal.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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I think 'Dark Blue' came to me while I was doing a project in London. I read it, and the character immediately popped out at me.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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There seems to be some perverse human characteristic that likes to make easy things difficult.
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Adequacy is sufficient.
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If the stars should appear but one night every thousand years how man would marvel and stare.
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Some people get very confused about my game. They think it's better if the court is slow, because I have a good defence. But the faster it is, the better for me. My spin is more painful for my opponents, my aggressive game works better.
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The best kind of art or writing holds up a mirror to society.
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Roosevelt's declaration that Americans had 'nothing to fear but fear itself' was a glorious piece of inspirational rhetoric and just as gloriously wrong.
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I remember seeing the performance Samantha Morton did in 'Sweet and Low Down' where she didn't speak at all, and I loved it so much because she got to do so much work just by expressing herself in her body and her face. With expressions, it wasn't necessary to speak. I find that appealing.
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When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like, 'What was that! I've got to see that! What the hell was that?'
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She'd preferred the uncertainty, if only because it allowed her to remember him the way he used to be. Sometimes, though, she wondered what he felt when he thought of that year they spent together, or if he ever marveled at what they'd shared, or even whether he thought of her at all.
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I remember even getting kicked out of a bar once because I was too loud and obnoxious.
