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I think good art happens on that edge between comfortable and in a lot of pain, you know what I mean?
Liz Phair -
It makes sense - you wanna gather a lot of people together, and Vegas really does that well. New York can, but you know the hassles. I've lived there. It's an entirely different beast.
Liz Phair
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I'm working on a proper rock record, a good, old-school rock record. Finally.
Liz Phair -
I can't say I don't get nervous, but I really kind of enjoy performing now.
Liz Phair -
I'm very cerebral. I like to think things through.
Liz Phair -
So how does Liz Phair feel about Lana Del Rey? Well, as a recording artist, I've been hated, I've been ridiculed, and conversely, hailed as the second coming. All that matters in the end is that I've been heard.
Liz Phair -
I don't know why it surprises people that I surprise them.
Liz Phair -
It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming.
Liz Phair
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Women artists need to break barriers in order for women's experience to be valuable.
Liz Phair -
Everything that people lob at you who don't know you, it all hurts. When you're doing something as simple as making music, which really, theoretically, shouldn't hurt anyone - I mean, it's a song! Step back for five seconds and laugh.
Liz Phair -
I don't have the same access or time to gain access to music the way I used to.
Liz Phair -
I just want to make music and make a living. I just have to find the means of doing that.
Liz Phair -
That's what music is to me. Like, stuff that I really like to play loud. And I've got my quiet CDs, too, that I listen to around the house, but if you can't go there, then... Everyone gets so upset with me, I can't win.
Liz Phair -
I remember even getting kicked out of a bar once because I was too loud and obnoxious.
Liz Phair
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I was trying to break out of the suburbs, and when I did break out, I don't think I took my whole self with me - I think I played a role of being too cool and hip.
Liz Phair -
Women's bodies are used to sell anything and everything because it works, it grabs people's attention, and advertisers aren't going to stop using something that works.
Liz Phair -
I don't know what the future holds. Anything is possible.
Liz Phair -
I'm just out of touch with new music in general, and I only know about it if I'm hanging out with someone that knows about it, or I catch it on YouTube.
Liz Phair -
I wear clothes that most people in the Midwest would probably deem inappropriate at my age. And I rock a bikini all summer long. I know that it's not normal, but I just don't care. I live once.
Liz Phair -
The other day I was reading a blog and I linked over to Streisand's Web site, and it was amazing politically. She's so insightful and incisive. And she also says whatever she wants.
Liz Phair
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Composing gives me a chance to work in multiple dimensions and helps me pare down my melodies into what is essential. Learning new skills has always energized me and scoring has opened up a world of sonic possibilities.
Liz Phair -
Like, I kind of developed my musical style in a vacuum. Even though I listen to a lot of stuff, the way I wrote was in my bedroom, really privately. It's still the way I write, actually.
Liz Phair -
It's about the journey and the process. I do things because I love doing them, or trying them.
Liz Phair -
You're really creative when you're in an environment that you don't know how to handle. So collaborating was like that for me. I think that was one of the reasons why I knew I was gonna get a challenging reaction.
Liz Phair