Liz Tuccillo Quotes
I was about 29 or 30, and I started writing monologues for myself. I felt I got more immediate encouragement from that than I ever had in acting.
Quotes to Explore
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In real life, I'm gorgeous, beautiful.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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I like men who paint or write or do something creative.
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The environmental movement, like all political processes, reacts best to disasters. But these are very slow, very gradual disasters in the making.
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Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.
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I was quite keen on silviculture, the growing of trees, and that was something I gave a lot of thought to. Maybe I could've gone in that direction. But it just so happened that while I was trying to make up my mind, I enrolled in art school, and there I began to develop my interest in music, parallel with my interest in the visual arts.
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There are no opportune times for a penalty, and this is not one of those times.
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I am aware of the sufferings of women in India, which is also the suffering of women in many, many countries on our planet. My heart is filled with empathy and love for them.
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I never said most of the things I said.
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I never met a stripe I didn't like.
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You know, there's always someone in mind when I'm writing. You know, it's all comes from somewhere inside.
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I still find it hard to believe that the whole era of jazz is over.
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It was a small provincial place with great people and I had a happy childhood growing up in Queens.
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The mere fact that so many continue to rise, year after year, out of just such conditions as you may think are fatal to your advancement, ought to convince you that you also can conquer your environment.
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I myself feel that I'm a well-rounded player and got a lot better defensively and without the puck as time has gone on.
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I'm not a one-issue person.
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I had these experiences as a kid; I remember certain things happening in school that were horrifying that I would see, certain things of violence or certain things of cruelty, but around that, something might happen afterwards to cause everyone to laugh, and that always blew me away.
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When Scorsese or Coppola cast celebrities in their work, it goes without question.
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I would like to think that I curse expertly - it's not something that I do without considering it. I never curse without intending to; it's not something I resort to because of inability to articulate or find the correct word.
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When I lecture, under almost all circumstances, I write a new lecture for the occasion. It helps me think. It helps me make demands of myself that I would not otherwise make.
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A writer who isn't writing is asking for trouble.
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As a memoirist, I may claim to write the easier-to-remember things, but I could also just be writing to sweep them away. 'Don't bother me about my past,' I'll say, 'It's out in paperback now.'
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The first interview I went on I got at age 5. It was a commercial for First Federal Bank.
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I was about 29 or 30, and I started writing monologues for myself. I felt I got more immediate encouragement from that than I ever had in acting.
