Lloyd Blankfein Quotes
Quotes to Explore
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Ever since I took to the streets when I was 17 to protest at great personal risk against the communist dictatorship, I have been a passionate democrat.
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When you have too much scheme, sometimes it's hard to work on all the things you have to, and you can make effort the top priority of your game.
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In England especially, I've found that if you bring up King Edward VIII and Wallis Simpson at a dinner party or a social gathering, it's like throwing a Molotov cocktail into the room.
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The mid-day meal is a well-intentioned scheme and has to be implemented effectively.
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Overhead will eat you alive if not constantly viewed as a parasite to be exterminated. Never mind the bleating of those you employ. Hold out until mutiny is imminent before employing even a single additional member of staff. More startups are wrecked by overstaffing than by any other cause, bar failure to monitor cash flow.
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There's depth in my comedy.
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Everything that is bad, the falling sickness - God save the mark - or the like, should be at its worst at the full moon. I suppose because it is the leader of the stars.
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When you choose to be an actor, you are going against the odds.
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All critics should be assassinated.
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When I was a child and came with my elders to Galway for their salmon fishing in the river that rushes past the gaol, I used to look with awe at the window where men were hung, and the dark, closed gate.
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When I awoke in the morning, my mother and Julia Hislop were whispering in a corner. They didn't have to tell me why. I already knew that my father was dead. And when the feeling of peace wore off, the surprise at having known intensified my sense of loss and sorrow. Although I was only nine, I could imagine what death meant. I knew he was gone forever.
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What's sauce for the gander is sauce for the goose.
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There is nothing more I should do to it now, and therefore I am not likely to be more ready to go than at this moment.
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Where is he, the champion and the childOf all that's great or little, wise or wild;Whose game was empires, and whose stakes were thrones;Whose table earth - whose dice were human bones?
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As a teenager growing up in the suburbs of Washington, I ritually watched the Sunday-morning political talk shows with my family. We parsed and argued and jeered at the screen as national figures delivered careful, poll-tested talking points.
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Granted, I'm more interested in technology than most people, and less interested in politics than most. But I don't like to think about categories. I really see myself as a general non-fiction writer.
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My mother was making $135 a week, but she had resilience and imagination. She might take frozen vegetables, cook them with garlic, onion and Spam, and it would taste like a four-star dinner.
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Music in general is looking for something new overall.
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Not many young women of my age have been lucky enough to have had a wonderful mentor in their life.
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Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.
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Men are run ragged by female sexuality all their lives. From the beginning of his life to the end, no man ever fully commands any woman. It's an illusion. Men are pussy-whipped. And they know it. That's what the strip clubs are about; not woman as victim, not woman as slave, but woman as goddess.
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I think the most important issue we have as a people is what we started, and that is to begin to trust our own thinking again and belive in ourselves enough to think that we can articulate our own vision of the future and then work to make sure that that vision becomes a reality.
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At the end of the day, it's not a normal condition to have interest rates at zero.
