Anderson Silva Quotes
Quotes to Explore
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You can never plan the future by the past.
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A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
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The kitchen is where we deal with the elements of the universe. It is where we come to understand our past and ourselves.
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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.
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I've done stuff in the past and followed in the footsteps of my heroes, and each time, it felt a little bit surreal.
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The same way one tells a recipe, one tells a family history. Each one of us has our past locked inside.
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I never felt the need to introduce all the obstacles in my past when I say, 'Hello, my name is Nate.' But at the same time, I've never hidden from it.
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I'm a professional fighter and like most professional fighters I have had difficulties with my hands in the past.
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In the past, TSR and now Wizards of the Coast have asked me to do game stats for my characters, and I'm never comfortable doing that. It's all relative after all.
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Anniversaries are like birthdays: occasions to celebrate and to think ahead, usually among friends with whom one shares not only the past but also the future.
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In the past, on Earth, it has largely been to exploit foreign resources and to expand the domestic territory.
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What 'Floating Worlds' does draw on is Holland's artistry in bringing the past to life in her historical fiction and depicting the people who inhabited that past.
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Elvis was just like a big old kid. It was like he never got past 19, I don't think, in a lotta ways.
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The passage of the Civil Rights Act of 1964 represented precisely such a hope - that America had learned from its past and acted to secure a better tomorrow.
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The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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We Muslims in the West, like Jews before us, grapple with the same issues that Jews of the past did: integration or isolation, tradition or reform, intermarriage or intra-marriage.
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Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
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Are we blasphemous in saying that 2-D is largely a thing of the past, and computer-generated animation is the present and future? It's all about creating a better experience for the viewer - and that includes 3-D.
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Reality is on a delay. For you, nothing is now. Realizing this fact is unsettling. If we can only react to the past, how do we manage to navigate the present? It's easy to spiral into a treatise on free will while in the fetal position, overthinking our forever past.
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I am proud of the fact that my wealth is completely transparent.
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The writing that feels the best to me, I experience sometimes, is a kind of weirdly deep listening - like, it feels like if you just listen hard enough, the next sentence will tell you what it needs to be.
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The readership for 'Sag Harbor' was different from people who'd read me before - it was linear and realistic, not as strange as 'The Intuitionist.' Did they carry over to 'Zone One,' a story about zombies in New York? Some, some not. I'm used to people not caring about my other books.
Colson Whitehead -
From the moment that a fight ends, that fight is in the past, win or lose.
