Anderson Silva Quotes
Quotes to Explore
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You can never plan the future by the past.
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A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
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The kitchen is where we deal with the elements of the universe. It is where we come to understand our past and ourselves.
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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.
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I've done stuff in the past and followed in the footsteps of my heroes, and each time, it felt a little bit surreal.
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The same way one tells a recipe, one tells a family history. Each one of us has our past locked inside.
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I never felt the need to introduce all the obstacles in my past when I say, 'Hello, my name is Nate.' But at the same time, I've never hidden from it.
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I'm a professional fighter and like most professional fighters I have had difficulties with my hands in the past.
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In the past, TSR and now Wizards of the Coast have asked me to do game stats for my characters, and I'm never comfortable doing that. It's all relative after all.
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Anniversaries are like birthdays: occasions to celebrate and to think ahead, usually among friends with whom one shares not only the past but also the future.
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In the past, on Earth, it has largely been to exploit foreign resources and to expand the domestic territory.
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What 'Floating Worlds' does draw on is Holland's artistry in bringing the past to life in her historical fiction and depicting the people who inhabited that past.
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Elvis was just like a big old kid. It was like he never got past 19, I don't think, in a lotta ways.
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The passage of the Civil Rights Act of 1964 represented precisely such a hope - that America had learned from its past and acted to secure a better tomorrow.
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The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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We Muslims in the West, like Jews before us, grapple with the same issues that Jews of the past did: integration or isolation, tradition or reform, intermarriage or intra-marriage.
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Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
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We all get paid very, very well, and we have responsibilities.
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I can literally count on one hand how many slave stories have gotten notoriety over the past few years.
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I remember with my first album, I was so scared of messing it up, of blowing the opportunity, that I blew it.
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I was a tomboy as a kid - I was skinny and had cropped hair and was often mistaken for a boy - and up until I was about six, I had my own very fluid ideas of gender in that I believed that, somehow, an individual could choose whether or not s/he wanted to be a boy or a girl.
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Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter - you’re the one who sat down, and joined the game.
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From the moment that a fight ends, that fight is in the past, win or lose.
