Anderson Silva Quotes
Quotes to Explore
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We want a story that starts out with an earthquake and works its way up to a climax.
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I ended up in the US for a month or so, before moving to Montreal with some Romanian friends.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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Don't spend more than 10% of your marketing/PR budget on a trailer. Trailers have to be marketed, too. So, far too many authors wind up marketing their trailers instead of their books.
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Education is a way of empowering people; it opens up so many doors and is fundamental to everybody. And teachers are not often appreciated in the way that they should be.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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My parents would always say, 'It doesnt' matter if it's a guy picking up the garbage or the President of the United States, treat everybody as you would want to be treated.
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I took a lot of time to open myself up to taking chances musically.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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I'm always up for going back to the stage.
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It brings up happy old days when I was only a farmer and not an agriculturist.
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A lot of technologies in the world were unusual in the beginning, and became standard. That's the beauty of bottom-up entrepreneurship and innovations.
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I think something happens to us biologically when we have children where the worry sets in immediately. And I don't think that ever goes away. But you have to fight your instincts to build walls up around your children or to want to shelter and protect them from everything.
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I grew up kind of a tomboy and I used to fight with all the neighborhood boys.
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There wasn't anyone in my family who was involved in the theatre. I saw a few amateur plays when I was growing up, but I can't think of anything that happened or anybody in particular who inspired me; it all came from within.
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I had spent time in New York, where I loved the idea that theater could be done up in tiny little rooms rather than for lots of money on a big stage, and be tied to ordinary life.
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I tell you, the difference for me is between being victimized, terrorized, numbed by reading about different disasters, or reducing the anxiety by getting up and doing something about it, at whatever level.
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I tried to play sports, which was a disaster and probably one of the reasons I ended up being an actress.
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It's difficult to make your clients understand that there are certain days that the market will go up or down 2%, and it's basically driven by algorithms talking to algorithms. There's no real rhyme or reason for that. So it's difficult. We just try to preach long-term investing and staying the course.
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A friend told me about a Nike competition, where they give you one minute to do tricks with a basketball. I wasn't going to go, but they were giving away free sneakers. I ended up coming in second place.
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'I squeezed Fay’s hand, kissed her on the forehead. She closed her eyes and seemed to sleep then. She was not a young woman. Maybe she hadn’t saved the world but she had made a major improvement. Ring one up for Fay.'
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We are victims of the post-Enlightenment view that the world functions like a sophisticated machine, to be understood like a textbook engineering problem and run by wonks. In other words, like a home appliance, not like the human body.
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Ultimately, however, the script an actor enlivens is someone else's words.
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It's not my character to up and challenge anyone.
