Andra Day Quotes
That's why I loved Dinah Washington. She sung jazz, but they called her the Queen of the Blues. She had the control and sophistication of jazz in her note selection and how to attack a song or certain lines, but then attacked it with a painful force of blues behind it. That's why I admired her so much, because of that versatility.
Quotes to Explore
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My mother has been a wonderful model for the professional woman - a loving mother dedicated to both her family and her work. She inspired me, made me proud, and developed in me an enormous respect for women in general.
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Of course, giving is deeply emotional. But supplementing emotion with research makes it more likely that a gift can have a bigger impact. It's like any investment. After all, you wouldn't put funds into stocks or bonds without understanding the potential return. Why wouldn't you do the same when investing in society?
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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Why should people go out and pay money to see bad films when they can stay at home and see bad television for nothing?
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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I think a balanced team of men and women makes better decisions. That's one of the reasons why I was prepared to run for deputy leader.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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I hate to sound this way but, 'Why me? Why me with dementia?'
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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I am bullish on the global development. I am bullish on billions of people getting out of poverty.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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I'm concerned about - the oppression of the poor.
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When you get bullied, you automatically think that you're the reason why you're getting bullied. The reality is, it's about them, not you... I'm all about blocking people. I'm all about saying, 'You know what, I don't need this in my life.'
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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There are many, many nouns for the act of looking - a glance, a glimpse, a peep - but there's no noun for the act of listening. In general, we don't think primarily about sound. So I have a different perspective on the world; I can construct soundscapes that have an effect on people, but they don't know why. It's a sort of subterfuge.
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If you don't get spending under control, eventually you're going to have a big tax increase.
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My mother turned me onto St. Jude back in the days when I was wild and crazy. She took me to the shrine on Rampart Street.
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Obviously, I'm suffering from lack of sleep, but it truly is a blessing to be a mother.
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I was a mother's boy.
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Real elation is when you feel you could touch a star without standing on tiptoe.
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That's why I loved Dinah Washington. She sung jazz, but they called her the Queen of the Blues. She had the control and sophistication of jazz in her note selection and how to attack a song or certain lines, but then attacked it with a painful force of blues behind it. That's why I admired her so much, because of that versatility.
