Andre Kertesz Quotes
Quotes to Explore
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Honest communication is a rare thing.
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I'm not too good at lying still in the sun.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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Life is painting a picture, not doing a sum.
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Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
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When I was out in Georgia doing photographs, I found myself trying to undo my own sense of composition. I'd think, 'Why do I want to take it like this? Is it because I want to take a beautiful picture?' It's quite hard to try and undo it.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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I'm almost incapable of lying. I'd be a terrible spy.
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It's hard for young players to see the big picture. They just see three or four years down the road.
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The good thing is that I'm always honest.
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To be honest, I've just become a Steelers fan.
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Don't squander beautiful moments by always trying to snap the perfect picture or record the event on film. Sometimes it's better to watch things as they happen with your own eyes, knowing that the memory of the experience will always be with you.
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What we have to do, what at any rate it is our duty to do, is to revive the old art of Lying.
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The press was all over to get a picture of me. It got to the point where they were all over my house, following me to work... Then Tom Brokaw and everybody else was doing stories, 'A star is born.'
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Let's be honest: I just want a Super Bowl ring.
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I really don't have a need to be on TV all that much, to be honest with you.
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I've never made any picture, good or bad, without paying for it in emotional turmoil.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or 'outsideness' without laying stress on the emotion of fear.
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People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
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What is to be done about these literary people, who will never understand that painting is a craft and that the material side comes first? The ideas come afterwards, when the picture is finished.
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He did not care for the lying at first. He hated it. Then later he had come to like it. It was part of being an insider but it was a very corrupting business.
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Society has a problem with female nudity when it is not . . . ”—Badu pauses to get her words together; she wants this point to be very clear—“. . . when it is not packaged for the consumption of male entertainment. Then it becomes confusing.
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Of course a picture can lie, but only if you are not honest with yourself.
