Lorde (Ella Marija Lani Yelich-O'Connor) Quotes
I come from a short fiction background, and my mom is a poet, so I've always read poetry; I've always had a lot of different influences both linguistically and musically.
Quotes to Explore
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The wretched and miserable would rise into plenty of joy and happiness as soon as they climb the steps of my mosque.
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Investors tend to discover 'hot' mutual fund managers just after a successful run and just before the inescapable force of mean reversion is about to kick in.
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Fear is... a kind of unintentional storytelling that we are all born knowing how to do.
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I really like having a life outside work. I sometimes wish I did more career stuff and was in that Hollywood scene a bit more. But Toronto's my home.
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All too often, the pitchmen are selling the notion that if you gain 'control' over your financial destiny - pick your own stocks and execute your own trades - it will be the first step on a short road to riches.
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That's the mark of a great storyteller, never to give away secrets in advance.
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I think it's difficult to do fashion for men, because either you become very over-homosexual fashion or very boring fashion. You don't want a boy who looks 15 in a little pair of shorts with some strange art... But to see just a jacket and tie is boring.
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Scotland is the best place in the whole world.
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You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.
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You have to expect the raps when you have achieved popularity as a writer.
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I don't think it's possible to separate out the strands of a writer's history, circumstances, life events, and that writer's themes.
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My goal, as always, is simply to inform the public about an issue that is nearly impossible for them to learn about on their own. That is my only goal as a reporter.
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My career is chequered. Then I think I got pigeon-holed in humour; Shakespeare is not my thing.
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You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
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Often the starting point for characters, for me, is finding a little, most minor detail, and I'll go from there.
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The truth is not a bidimensional thing; it's not flat. It's rounded; it's like a sphere, so there's always a hidden face. There's one that is revealed because there's light reflecting on it, but there's always a hidden one, and once you go around to see the hidden one, it moves, and that's life.
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At the risk of sounding like Virginia Woolf, I could live on £700 a year.
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God knows why nobody ever learns from the preceding generation - but they don't.
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It's not surprising, then, they get bitter, they cling to guns or religion or antipathy to people who aren't like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.
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I was 19 when I wrote 'Dreams,' and that would have been when it started to happen. The band got signed, and I was probably beginning to see different things besides my small town of Ballybricken.
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To make this announcement fills me with great sadness, but I know I have been blessed in so many ways to have experienced what I have with the England rugby team.
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I come from a short fiction background, and my mom is a poet, so I've always read poetry; I've always had a lot of different influences both linguistically and musically.
