Andrea Corr Quotes
You can't live in your own secluded world. If you're not on the Tube, on the bus doing normal things, how can you relate to people?
Quotes to Explore
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I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
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The first thing I saw was that Brett Rogers had his way very quickly - in 20 seconds - with a UFC champion, Andrei Arlovski.
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This is what people need: an easy-to-deploy, easy-to-use tool.
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If you ever meet an actor who's the child of actors, they'll never tell you that they wanted to be a star. But what I did realise early on was that I just wanted to be in that tribe.
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I went from 118 pounds to 135 pounds in a few months. But, I still didn't know anything about food.
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I should confess that I'm woefully under-read in South African fiction.
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But freedom, liberty, is an attribute of the soul and it may exist even when the body is in bondage.
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There are children playing in the streets who could solve some of my top problems in physics, because they have modes of sensory perception that I lost long ago.
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Authenticity means erasing the gap between what you firmly believe inside and what you reveal to the outside world.
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There's always room to volunteer. I think that's a huge space to be involved with.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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I mean, Tool has a style, but we try to make all our songs sound different from each other.
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I have reached the conclusion that those who have physical courage also have moral courage. Physical courage is a great test.
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Contemplation is a luxury of the middle class, the very rich.
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I am an arm hitter. When you snap the bat with your wrists just as you meet the ball, you give the bat tremendous speed for a few inches of its course. The speed with which the bat meets the ball is the thing that counts.
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When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
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I think 'Dark Blue' came to me while I was doing a project in London. I read it, and the character immediately popped out at me.
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Conceptual art, I don't even know what that is.
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I try to be an active griever. I feel like we lean on time because of the trope 'Time heals all wounds.' And there is truth to that, but I don't think that it's absolute. I think that to grieve and to deal and cope, you have to be actively processing the information. Have your moments, be broken, and allow yourself to fully express pain.
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He had decided to live forever or die in the attempt.
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What's more unnerving than magnetism, ghosts, and unpurified water? Gadgetmongers who purport to protect us from metaphysical monsters that go bump in the New Age night.
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If we only identify with the mortal world, then we identify with a level of scarcity and lack and brokenness, and that will be our experience.
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Real tolerance means respecting other people even when they baffle you and you have no idea why they think what they think.
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You can't live in your own secluded world. If you're not on the Tube, on the bus doing normal things, how can you relate to people?
