Andrea Corr Quotes
You can't live in your own secluded world. If you're not on the Tube, on the bus doing normal things, how can you relate to people?
Quotes to Explore
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I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
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The first thing I saw was that Brett Rogers had his way very quickly - in 20 seconds - with a UFC champion, Andrei Arlovski.
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This is what people need: an easy-to-deploy, easy-to-use tool.
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If you ever meet an actor who's the child of actors, they'll never tell you that they wanted to be a star. But what I did realise early on was that I just wanted to be in that tribe.
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I went from 118 pounds to 135 pounds in a few months. But, I still didn't know anything about food.
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I should confess that I'm woefully under-read in South African fiction.
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But freedom, liberty, is an attribute of the soul and it may exist even when the body is in bondage.
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There are children playing in the streets who could solve some of my top problems in physics, because they have modes of sensory perception that I lost long ago.
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Authenticity means erasing the gap between what you firmly believe inside and what you reveal to the outside world.
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There's always room to volunteer. I think that's a huge space to be involved with.
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I mean, Tool has a style, but we try to make all our songs sound different from each other.
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I have reached the conclusion that those who have physical courage also have moral courage. Physical courage is a great test.
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Contemplation is a luxury of the middle class, the very rich.
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I am an arm hitter. When you snap the bat with your wrists just as you meet the ball, you give the bat tremendous speed for a few inches of its course. The speed with which the bat meets the ball is the thing that counts.
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When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
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I think 'Dark Blue' came to me while I was doing a project in London. I read it, and the character immediately popped out at me.
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Conceptual art, I don't even know what that is.
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The people who used to hold the purse strings were a select group of white, middle-aged men, but that's changing, and the more it continues to change, the more we'll see inclusive stories get told.
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I don't care if the audience is 600 Saul Bellows; I'm going to knock them dead with a comedy routine. I'm out there as a missionary for literature because, if people laugh and enjoy themselves, they might actually do something as bizarre as reading the book.
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The way you deal with a scare is the way you deal with a laugh. The timing has to be perfect. When you're dealing with fear or laughter - emotions that happen spontaneously - you hope it's working. But in the moment, you really have no idea.
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And there is, I am certain, among the Iraqi people a respect for the care and the precision that went into the bombing campaign.
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Marathon Day in Boston and all of Massachusetts, it's Patriot's Day, and it's a big celebration for us. It's a day when we're kind of the whole world's city there.
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There is prodigious strength in sorrow and despair.
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You can't live in your own secluded world. If you're not on the Tube, on the bus doing normal things, how can you relate to people?
