Andrea Corr Quotes
You can't live in your own secluded world. If you're not on the Tube, on the bus doing normal things, how can you relate to people?
Quotes to Explore
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I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women.
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The first thing I saw was that Brett Rogers had his way very quickly - in 20 seconds - with a UFC champion, Andrei Arlovski.
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This is what people need: an easy-to-deploy, easy-to-use tool.
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If you ever meet an actor who's the child of actors, they'll never tell you that they wanted to be a star. But what I did realise early on was that I just wanted to be in that tribe.
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I went from 118 pounds to 135 pounds in a few months. But, I still didn't know anything about food.
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I should confess that I'm woefully under-read in South African fiction.
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But freedom, liberty, is an attribute of the soul and it may exist even when the body is in bondage.
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There are children playing in the streets who could solve some of my top problems in physics, because they have modes of sensory perception that I lost long ago.
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Authenticity means erasing the gap between what you firmly believe inside and what you reveal to the outside world.
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There's always room to volunteer. I think that's a huge space to be involved with.
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I mean, Tool has a style, but we try to make all our songs sound different from each other.
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I have reached the conclusion that those who have physical courage also have moral courage. Physical courage is a great test.
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Contemplation is a luxury of the middle class, the very rich.
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I am an arm hitter. When you snap the bat with your wrists just as you meet the ball, you give the bat tremendous speed for a few inches of its course. The speed with which the bat meets the ball is the thing that counts.
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When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
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I think 'Dark Blue' came to me while I was doing a project in London. I read it, and the character immediately popped out at me.
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Conceptual art, I don't even know what that is.
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The people who used to hold the purse strings were a select group of white, middle-aged men, but that's changing, and the more it continues to change, the more we'll see inclusive stories get told.
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I wanted to connect a modern story with a myth that I had read.
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When I'd written my 'Silverwing' series - I'd imbued the bats with full human awareness and vocabulary.
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'In A World...' changed my life a thousand per cent. I feel thankful that something I believed in so much - I love dialect, so I dedicated five years of my life to making a film about it - yielded such rewards. It led to 'Man Up,' as well as 'No Escape,' which comes out later this year... two movies where I am the female lead.
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When John Lennon sings, 'Oh, my love/For the first time in my life/My eyes are wide open' - these songs have an intimacy for me that's not just between people, I realize now, not just sexual intimacy. A spiritual intimacy.
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Now it's easy for someone to set up a storefront and reach the entire world in very modest ways. So these technologies that we thought would dis-intermediate traditional sellers gave more people the tools to be sellers. It also changed the balance of power between sellers and buyers.
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You can't live in your own secluded world. If you're not on the Tube, on the bus doing normal things, how can you relate to people?
