Andrea Corr Quotes
Well, I did go to Irish dancing lessons as a kid, but I was slapped and never went again.
Quotes to Explore
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On my 50th birthday in 2005, my discount-wielding AARP card came in the mail. I hurled it in the trash, put on something fabulous, and had a decadent meal. Just the thought of putting it in my wallet felt like a concession.
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I mask every single day. I mask every morning - since I was 27 years old. I don't care the brand: it can be from the drugstore or high end. I can be walking my dog in the mask scaring children and people off, but it's my routine that I commit to every single day.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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No one can make me work harder than I do, so I'm generally not interested in who I am competing with.
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My husband believes that he can make a difference. He loves people.
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A number of people in the United States, almost everyone, is using plastic cards to pay for things, but it's extremely difficult to accept these cards. So let's make it's easy and take more and more of the friction out as we can.
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There is something terribly morbid in the modern sympathy with pain. One should sympathise with the colour, the beauty, the joy of life. The less said about life's sores the better.
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As a person, to inspire some young girls and give them something to look at and give them something to play for, I think is such a great position to be in. I'm glad that I can follow all of the great Korean players' footsteps.
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My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
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Any chance to get out and play live for some people and get out of the studio is nice.
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The current distribution model for movies, in the U.S. particularly, but also around the world, is pretty antiquated relative to the on-demand generation that we're trying to serve.
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I'm personally more struck by visual things more than musical.
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Common looking people are the best in the world: that is the reason the Lord makes so many of them.
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I prefer the country life. I live in Kingston, but there is lots of trees.
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Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
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I do wish I believed in the life eternal, for it makes me quite miserable to think man is merely a kind of machine endowed, unhappily for himself, with consciousness.
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Blow the dust off the clock. Your watches are behind the times. Throw open the heavy curtains which are so dear to you - you do not even suspect that the day has already dawned outside.
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Whosoever is delighted in solitude is either a wild beast or a god.
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A right delayed is a right denied.
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I think being a writer is being heavily attuned to the absolute absurdity of things you take for granted, and I think that having actual parents who lived through the Cultural Revolution who are also interested in literature, they're also very attuned to those moments.
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I was always very into heavy metal, and heavy metal is full of emotion and extremes, and I think that's the same in dance music.
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The title, the name Frank, comes from this extraordinary British character Frank Friedbottom. He was very big in Britain in the '80s, but I, as an Irish kid, saw him on 'Top of the Charts.'
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'You're Ugly Too' isn't a comedy, but it has a lightness of touch with a hard edge. But it's essentially a warm story tinged with a bit of melancholy in the great Irish tradition. I'm very proud of that film.
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Well, I did go to Irish dancing lessons as a kid, but I was slapped and never went again.
