Andrea Seigel Quotes
Allowing alternative narrative modes in popular entertainment may seem obvious, yet when you turn a pilot into the people upstairs and the main character isn't after what she wants by the top of page two, you get treated as if you've failed at writing.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.
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Basically, my socialization as a child didn't come from any schooling; it came from being in theater and meeting people online.
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I'd always wanted to be an action heroine. That's a chick dream, getting to wear a leather bodysuit and be blonde and kick ass. But, what really attracted me to 'Dredd' was the script. It was fantastic! It was about people and characters, and not just about explosions and fighting.
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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I knew that I was a gay boy fairly early; what was interesting to me was that my mother didn't know. She made me play baseball - I had no desire to do that. I said, 'Mom, I don't like direct sunlight, I don't like bugs, I don't like grass, and I'd rather be in the house playing with your fabric samples.'
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Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
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The usefulness of a meeting rises with the square of the number of people present.
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I like the lasso of truth. There is something so beautiful about the fact that people have to tell the truth when they have the lasso around them. And it's not too violent.
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It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
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There'll be a special place in hell for the tape back-up people.
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People of small caliber are always carping. They are bent on showing their own superiority, their knowledge or prowess or good breeding.
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Writing is a very lonely occupation. To write you need to concentrate, to concentrate you need to lock yourself away. No distractions; you want your stream of thought uninterrupted.
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When we consider the fact that nearly three-quarters of the surface of the globe is covered by oceanic water, we begin to realise that the molecular scattering of light in liquids may possess an astronomical significance, in fact contribute in an important degree to the observed albedo of the earth.
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You know, I really do have some morals. I do actually care about people. And I do have a political standpoint.
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At 17 years old, STG took me under its wing and shared its resources and wisdom with me, even allowing me to take part in a show at the Edinburgh Festival. Without STG and the Ramshorn Theatre, I would not have found access to the world of drama that I later made my profession.
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Under no condition can you teach curiosity.
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There was a point in the '80s when I looked out at my audience and I saw people that - were I not on the stage - they'd sooner slug me as they walked by me on the sidewalk. And I realized that I was way beyond the choir.
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Allowing alternative narrative modes in popular entertainment may seem obvious, yet when you turn a pilot into the people upstairs and the main character isn't after what she wants by the top of page two, you get treated as if you've failed at writing.
