Andrei A. Gromyko Quotes
Greece is a sort of American vassal; the Netherlands is the country of American bases that grow like tulip bulbs; Cuba is the main sugar plantation of the American monopolies; Turkey is prepared to kowtow before any United States proconsul and Canada is the boring second fiddle in the American symphony.
Quotes to Explore
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I did not direct my life. I didn't design it. I never made decisions. Things always came up and made them for me. That's what life is.
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I kind of lost interest in school. I was never really that interested anyway. I was never academic. I didn't really go to school as much as I should have.
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Natural selection is not gene centrist and nor is biology all about genes; our comprehending minds are a result of our fast evolving culture.
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I was interned in Auschwitz for one year. I didn't bring back anything, except for a few jokes, and that filled me with shame. Then again, I didn't know what to do with this fresh experience. For this experience was no literary awakening, no occasion for professional or artistic introspection.
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I bumped into my cousin after she'd shaved her hair very short, and she looked incredible. She seemed so effortless and cool, and I wanted that. And, I've had it like that ever since.
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A man marries to have a home, but also because he doesn't want to be bothered with sex and all that sort of thing.
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I take my kids to school... I make them breakfast. Unfortunately, dad is a big spoiler, and most days, I make four different breakfasts.
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My English teachers gave me a copy of Atwood's 'The Handmaid's Tale' when I left high school, which has always been very special to me - it was the novel that introduced me to dystopian fiction. I'm also influenced by Edgar Allan Poe, Dickens, John Wyndham and Middle English dream-visions.
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Boxing is one of the few sports that is one on one.
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Every historian with professional standards speaks or writes what he believes to be true.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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It is the quality of our work which will please God and not the quantity.
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Let's create a legal system that can work.
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I think there needs to be a way to allow people to become educated if they've paid taxes, they've been here a long time. And I think, actually, we need to think about young people are not making the decision on whether to come here.
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I've made the decision not to do radio anymore.
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The thing about games is, players often say they don't care about story, but then if you took the story out, what would their reaction be? If no one cared about story, we'd all still be playing Pac-Man. There's nothing wrong with Pac-Man, but the point is, there's a genre of games in which you want to become part of that world.
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My mom and I are very close.
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Applause should be an emotional response to the music, rather than a regulated social duty.
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Anti-New Deal rhetoric has never disappeared from American political life.
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I can still remember the first time I heard a Beatles song. It was the fall of 1964, my second year in an American school after my family moved back from overseas, and I was standing on the corner of 64th street and First Avenue with my friend Larry Campbell.
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The strikebreaker is the hero of American industry.
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It became obvious to me that the generation who changed the world were my parents' generation, and not only in terms of the Second World War, but if you look at all the social legislation of the '60s - abortion, homosexual law reform, equal pay - it wasn't done by my generation; it was done by people who were adults.
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Greece is a sort of American vassal; the Netherlands is the country of American bases that grow like tulip bulbs; Cuba is the main sugar plantation of the American monopolies; Turkey is prepared to kowtow before any United States proconsul and Canada is the boring second fiddle in the American symphony.
