Yann Arthus-Bertrand Quotes
For nearly two years, I was flying above the planet with my camera. I knew straight away that this was something important to do, just at this moment, a portrait of the planet for the millennium year. I worked in 80 countries, fighting for money all the time.
Quotes to Explore
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Most of the time, those who use animals in experiments justify that use by pointing to alleged benefits to human and animal health and the supposed necessity of using animals to obtain those benefits.
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Net-a-Porter offers catwalk fashion and trend-driven shopping, but for Mr Porter, while fashion is still important, style is key.
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I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
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I actually spend very little time listening to any new music.
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I lived in Montreal from the time I was 12 until I was 16.
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That's something USA Hockey has been trying to do for a long time is prove that we can play with the Canadians and the Russians and the Swedes and Finns consistently on a tournament basis.
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I absolutely loathe the idea of doing a fragrance simply as a moneymaker. Personal brand to make money? Vomit.
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Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
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There is not one description of beauty - that in fact it has different faces, different stories, and different background, and it's important to embrace all of those.
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Without this tremendous passion for power, influence, and advantage which money gives, how could nature develop the highest type of man? Without this infinite longing, whence would come the discipline which industry, perseverance, tact, sagacity, and frugality give?
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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My first taste memory is pickle. Even as a kid, I was really weird. I liked chillis. I used to climb up the shelves in my grandmother's pantry. The pickle jar was kept right at the top. One time, I dropped the jar and it broke. I was totally busted.
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Yes, I believe the will is very important. It's how I have succeeded in life.
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I'm like, 'Why aren't artists owning their masters? Why are labels robbing artists dry, and they have to spend all this time on tour to even break even?' Like, what happened? Why are they promoting things that aren't either socially conscious or elevating the human consciousness?
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We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
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Cities can be the engine of social equity and economic opportunity. They can help us reduce our carbon footprint and protect the global environment. That is why it is so important that we work together to build the capacity of mayors and all those concerned in planning and running sustainable cities.
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The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
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When you have a country that can boast that more than 95 percent of its eligible workforce is employed and pumping money back into economy, that's exceptionally good news, especially as we prepare to observe Labor Day.
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For some reason, we stopped getting gold stars at some age. It's time to bring them back.
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God is predictably unpredictable.
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I think I tend to try to let a woman walk through a door first, and I walk on the outside on the street. But that's probably because I'm an ancient creature.
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As a model, I didn't have an identity; I was a chameleon, a silent actress. I was an amorphous thing. I wasn't full of personality, I was full of solitude and solemnity. I wasn't a cover-girl type.
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For nearly two years, I was flying above the planet with my camera. I knew straight away that this was something important to do, just at this moment, a portrait of the planet for the millennium year. I worked in 80 countries, fighting for money all the time.
