Andrew Clements Quotes
Sometimes kids ask how I've been able to write so many books. The answer is simple: one word at a time. Which is another good lesson, I think. You don't have to do everything at once. You don't have to know how every story is going to end. You just have to take that next step, look for that next idea, write that next word.
Quotes to Explore
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The world needs some help.
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So yeah, I play the piano for most of the show, but I like rock and roll.
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The world that you and I live in is increasingly challenged. Population growth, pollution, over-consumption, unsustainable patterns, social conflict, climate change, loss of nature... these are not good stories.
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Chris and Toby are far too sane to be upset any more.
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Kenya doesn't have much of an infrastructure for hosting a film.
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Fuel conservation is as important as fuel production.
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I definitely associate music with color. For example, my first record has a red cover but it is totally green and blue to me.
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As I have not worried to be born, I do not worry to die.
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I don't run after successful directors. I give importance to the content of the film.
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You trivialize the idea of competition totally, then there's no point in having the competition in the first place, and everybody is getting a trophy.
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For me, it was not destiny to make it to where I am now - I thought for a long- time I would become a go-kart mechanic, or a job like this, not an F1 driver.
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Between Prince and my dad's fusion-jazz records, I didn't have a choice in being funky.
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To keep your job, you fire others or bench them or trade them. You have to do the thinking for 25 guys, and you can't be too close to any of them.
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You know, real life doesn't just suddenly resolve itself. You have to keep working at it. Democracy, marriage, friendship. You can't just say, 'She's my best friend.' That's not a given, it's a process.
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There are very religious people who write comics and who love comics.
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Not to sound too much like Christopher Guest in 'Waiting for Guffman,' but on Thanksgiving you're putting on a show!
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Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.
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Without the balancing context of everyday life, all you have is the news, and news by its nature is generally bad.
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I'm quite grounded.
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Like a piece of ice on a hot stove the poem must ride on its own melting. . . . Read it a hundred times; it will forever keep its freshness as a metal keeps its fragrance. It can never lose its sense of a meaning that once unfolded by surprise as it went.
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I think future generations will say the late 20th century and the early 21st century was a time of great convulsions and upheavals.
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I think anybody who has been in the theater, prefers it. Television is a... factory. You turn out things on a revolving assembly line. You don't have time to perfect anything in television.
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Sometimes kids ask how I've been able to write so many books. The answer is simple: one word at a time. Which is another good lesson, I think. You don't have to do everything at once. You don't have to know how every story is going to end. You just have to take that next step, look for that next idea, write that next word.
