Waite Hoyt Quotes
I was so naive in radio technique that I knew nothing about timing. I would write pages on Honus Wagner and then get only half through by the time the show ended. I eventually learned, but there was nobody there to school me.
Quotes to Explore
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I was not so committed to financial success that I was willing to abandon my principles and priorities. One of the most visible examples of this is our decision to close on Sunday.
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I kind of found a niche for myself after 'Firefly'. I found something that I enjoyed doing and that I did well, but as far as how I seek out a part, it's always different. It's always something that lights you on fire when you read it. It might be just one scene, it might be one line that defines the character for you.
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It is sort of boring to stay in the same spot. You know, I didn't set out to become the first to do this, the first to do that. It was just that my interests were so diversified.
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For me, it was really a childhood dream coming true. It's sort of where the fantasy led reality, and then I got to be on the Starship Enterprise anyway. And the cool thing was - is I was the only person on this bridge who had actually been in space.
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Fashion is one big family.
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When I'm not touring, I hardly ever leave my house. Part of it is I get to do what I'm most passionate about, which is work on music and make new songs.
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The game is never over. No matter what the scoreboard reads or what the referee says, it doesn't end when you come off the court.
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You can't create a monster, then whine when it stomps on a few buildings.
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You can't just keep recycling revivals. And you can't keep betting on the efforts of guys like me who've been around. You have to take the next step and bet on the next generation.
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I did an 'Our Town' in San Diego in the seventies with amateurs that I can tear up just thinking about.
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No one escapes from the past without bearing some of its burdens.
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I find myself frequently introducing myself to someone, saying that, you know, I've grown up black and biracial in the United States.
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I'm not going to be a ten or twelve grand-slam winner. It's not going to happen.
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I tend to write short, brief snippets - I lean toward the chamber music end as opposed to the symphony end of things.
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A painter once told me that I'm like the Khajuraho, which you see once but which remains with you forever. I thought that was exquisite.
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I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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Menon the Thessalian did not either conceal his immoderate desire of riches or his desire of commanding, in order to increase them, or of being esteemed for the same reason. He desired to be well with those in power, that his injustice might escape punishment.
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I know, to banish anger altogether from one's breast is a difficult task. It cannot be achieved through pure personal effort. It can be done only by God's grace.
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I'm from New Orleans, which is all about direct engagement out in the street with all the parades and Mardi Gras Indians and jazz funerals. I'm trying to take that and put it into my generation, a group that doesn't have enough joy and celebration in their lives.
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I even had the illusion, for a very short time, that I could become a medium pace bowler.
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I'm not trying to be new school and I'm not old school - I'm classic. There's a lot of new cars and there's a lot of old cars, but I'm just classic in doing what I do.
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At first, I didn't realize it was gonna be a character. I just thought I was gonna be doing me.
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These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what 'technique' means. But I do know what experience is.
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I was so naive in radio technique that I knew nothing about timing. I would write pages on Honus Wagner and then get only half through by the time the show ended. I eventually learned, but there was nobody there to school me.
