Andrew Coyle Bradley Quotes
In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect.
Quotes to Explore
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If you are a girl dressing up in the morning thinking about the whole world having a point of view on what you are wearing, it takes the pleasure out of getting dressed.
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I was a regular hand when I was 7. I picked cotton. I drove tractors. Children grew up not thinking that this is what they must do. We thought this was the thing to do to help your family.
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I'm guilty of it myself, sort of thinking, 'Classic novels: snoozeville.' But there is a huge amount of wonderful material.
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I try to choose the projects that I think are the most well-written and well-executed, and the rest of it is so beyond my control to be almost not worth thinking about at all.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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People say, what is she thinking? I'm thinking: fun; cash; travel.
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I think of the past and the future as well as the present to determine where I am, and I move on while thinking of these things.
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My brain is so anxiety-prone, like a pinball machine. If I don't get up in the morning and focus my thinking, my breathing, and my being for about 12 minutes, I'm just a screwball all day long.
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As an actor, you're not kind of thinking about your own work or watching the movie for the first time.
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Philanthropy is often seen as society's risk capital. That means the onus is on philanthropists, nonprofit leaders and social entrepreneurs to innovate. But philanthropic innovation is not just about creating something new. It also means applying new thinking to old problems, processes and systems.
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I don't believe in 'thinking' old. Although I've transitioned through many bodies - a baby, toddler, child, teen, young adult, mid-life and older adult - my spirit is unchanged. I support my body with exercise, my mind with reading and writing, and my spirit with the knowing that I am part of the Divine source of all life.
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Google owns YouTube, and recently, I drew a comic about an idea for a YouTube feature - which they actually took seriously and implemented. So I'm thinking that maybe we'll have a future where Google is 'xkcd.'
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We've gone too far in thinking we can re-create an American democratic paradise in the Middle East.
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Cartography and geographic thinking are cool.
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Whenever I go on a ride, I'm always thinking of what's wrong with the thing and how it can be improved.
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Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children's party taken over by the elders.
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I went to Goldsmith College of Art in London in the '80s and there I made sculptures, but the objects had nothing to do with how I was thinking. I was making beautifully sanded wooden boxes!
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At the prom, you are more about boys thinking you're cute. On the red carpet, you have to please everyone because there are a lot more people looking at those pictures.
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As long as I know what key the solo is in, I try to kind of empty my mind and not think about anything. I just play without thinking.
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The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.
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Valuations are always much-debated. I try to center on what is the value to us. Is it solving a problems for us? If it is, we find a way to proceed. If the valuation has been overhyped on something and it doesn't make sense, we won't. It's very simple for me. I tend not to worry too much about the valuation. It's really what the value is to us.
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I can tell my children that they don't need to fear they will lose me to breast cancer.
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Now, success is not the result of making money; making money is the result of success - and success is in direct proportion to our service. Most people have this law backwards. They believe that you're successful if you earn a lot of money. The truth is that you can only earn money after you're successful.
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In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect.
