- All Quotes
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Musicals are very collaborative. Unless you find somebody who wants to do something with you and has equal commitment, it's not going to work.
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Music, architecture and pictures have always been my passions, and all that material wealth has meant for me, is being able to have some of the pictures I liked.
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It never occurred to me that 'Phantom of the Opera' was the sort of subject that I'd want to do, because I just thought it was something that would be a bit jokey. 'Til I read the book.
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Two pieces of advice for young composers: Go away during technical rehearsals. And do not have a back operation.
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The plot of my 'Phantom' is pretty much mine. It's based on the Gaston Leroux book - I've taken a lot of liberties with it.
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One would be lying if one didn't say that one had melodies that I keep in my back pocket.
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Here's the truth. The proposed top rate of income tax is not 50 per cent. It is 50 per cent plus 1.5 per cent national insurance paid by employees plus 13.3 per cent paid by employers. That's not 50 per cent. Two years from now, Britain will have the highest tax rate on earned income of any developed country.
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I've often thought that we left the original 'Phantom' with a little bit of a cliff hanger, and I thought, 'Well, why not to do a sequel to it' at one point.
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I put a hell of a lot of myself into 'Love Never Dies,' and I felt quite drained afterwards.
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I think the thing's that perhaps sad really is that younger people haven't come in and I think it must have been absolutely fantastic to have worked in the 50's when you had all of the great Broadway composers and when West Side Story didn't win the Tony Award.
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In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it.
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There's no getting around it: Writing is hard, while working with young performers is nearly always a joy.
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I would have gone right ahead but the only thing, the only phenomenon that's going on now of course, which is different in my experiences, is that you are getting things planted in the Net by people about the Woman in White on the Net. That's not a nice change.
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You're the luckiest person in the entire world if you know what you really want to do, which I was lucky enough to know when I was very young. And you're the luckiest person in the world if you can then make a living out of it.
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If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that's all you can ask isn't it? I think I don't really think too much about it. I am a bit shy socially, yeah, I admit that.
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'School of Rock' is fun. Hopefully, I've fleshed it out with a few catchy songs and kept the spirit of the original movie.
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At one point I couldn't move or get out of bed or anything. I developed blood clots because I'd been completely inactive. Then they thought - because the pain was so much - I had an infection in the bones, so they gave me pills, which gave me a tummy infection. It's like a French farce.
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Well we'd just seen Gerry. I think he wanted somebody who had that authority and was handsome. The thing is, he's a big hunk isn't he? All I can say, if you look at his chat line, or the Phantom website, it's quite worrying. Because the girls really seem to love him.
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'The Phantom of the Opera' is the biggest thing I've ever done, bigger even than 'Cats' which, in itself, I never thought we'd top.
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My wife says I can't remember if she has milk in coffee.
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I have always tried with my shows - win, lose, or draw - to take the boundaries of music as far as I can.
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I guess we've had a very close relationship because I don't pretend to know about cinema and I think I do know a bit about theatre but he does, he respected that and so we really just had a collaboration which went completely like this.
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It may sound amazing to people today, but Rodgers and Hammerstein were considered by - how can I put it? - the sort of opinion-making tastemakers and everything to be 'off the scale as sentimental.'
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Superstar was made so early in my career I had nothing to do with it at all. The first time I saw it was the opening screening.