Andrew O'Hagan Quotes
When I look back at my childhood on the Ayrshire coast, I recall a basic devotion to the idea that human nature and national character are as unknowable as the weather's rationale.
Quotes to Explore
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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Ultimately, I don't think even a five-company platform oligopoly is good for consumer tech. By its very nature, it handicaps independent companies with new ideas. But it will end one day. I just don't know when.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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I was a strange, loud little kid who could sit at the piano and kill a Beethoven piece.
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Nature can always be more complicated than we imagine.
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I can't take much pride in my childhood acting. It feels like it happened in another lifetime, and even then, it felt like a hobby.
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Wit is the appearance, the external flash of imagination. Thus its divinity, and the witty character of mysticism.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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As an actor, I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you. I've been doing this for 26 years and some of the things I've done are always with me.
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I worry unnecessarily.
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It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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I was on the beach every summer. That was the pleasant part of my childhood because we were right by the sea. We'd take a picnic, and I'd spend hours in the water until I turned blue. You couldn't get me out of there.
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The nature of the Catilinarian conspiracy was bad and bloody.
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Love every role to be new, and I always like to bring a freshness to every character I play, but that comes down to the script. So, it's important that it's a good script with good, truthful characters and truthful subjects.
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You can write a script, but that's just a starting point as a cartoonist. The heart of the process comes when you start to draw it, and you work out how to lay the page out, how best to tell the story.
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I was a journalist and wrote about filmmakers, but I didn't review movies per se.
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I don't write lyrics. I hear the track and sing in gibberish over it, then I try and fit words into the phrasing and melody that I already have set. Everything is left to chance.
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And when wind and winter harden All the loveless land, It will whisper of the garden, You will understand.
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When I look back at my childhood on the Ayrshire coast, I recall a basic devotion to the idea that human nature and national character are as unknowable as the weather's rationale.
