Andrew O'Hagan Quotes
Quotes to Explore
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I really love to make sweeping historical gestures that are like little illustrations of novels.
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I always start my campaigns early, and I run hard. Maybe it comes from the rough-and-tumble world of San Francisco politics, where it's not even a contact sport - it's a blood sport. This is how I am as a candidate. This is how I run campaigns.
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Kids have a great sense of humour. If you don't, you're going to miss out.
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Capitalism is about adventurers who get harmed by their mistakes, not people who harm others with their mistakes.
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I don't feel American. I do feel like a New Yorker. I think there's a real distinction there. A city allows you to become a citizen even when you're not a national.
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I so never went through a bad-girl period.
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I am in the infantry for 17 weeks and after that I don't know where I am going.
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In 2001, I moved from Philly to Atlanta, where I lived for six years. I had never lived anywhere but Philly, and you can imagine the culture shock; the Civil War seeps into daily life and conversation down South in a way it never does up North.
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I could have ended the war in a month. I could have made North Vietnam look like a mud puddle.
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Wittiness turns me on more than anything else.
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Children refuse to compromise. Adults learn how.
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I don't understand why people make me want to make music that's a join-the-dots thing by numbers. I find it really difficult when people say, 'Aw, you should have made a really big hip hop record, that would have been really good for you' or, 'You should have made a song like Lily Allen, that would have been so great.'
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Social Security is too vital to be lumped into backroom budget talks where the views of ordinary Americans risk going unheard.
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I don't turn my nose up at anything. If it's a great part, it's a great part. I'd love to do a box-office hit.
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There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.
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I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
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I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.
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I've walked a lot in the mountains in Iceland. And as you come to a new valley, as you come to a new landscape, you have a certain view. If you stand still, the landscape doesn't necessarily tell you how big it is. It doesn't really tell you what you're looking at. The moment you start to move the mountain starts to move.
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I ask a wreathwhich will not crush my head. And there is no hurry about it; I shall have, doubtless, a boom after my funeral, Seeing that long standing increases all things regardless of quality.
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I was never really unpopular in high school.
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My mother was a very positive thinker; she was always active, always doing something good.
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I like illusion when it is so convincing that we might as well see reality this way - I like to present to our belief system something that is convincing, that 'we know not to be.'
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You cannot set art off in a corner and hope for it to have vitality, reality, and substance.
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'Reality' is a notion that journalists take for granted.
