Andrew Sean Greer Quotes
During every book, I have a nervous breakdown. Usually it's about two thirds of the way through the book - I'm just comatose on the couch for at least a week, and I eventually break through it and have an answer about how to fix the thing.
Quotes to Explore
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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Readers want to have the confidence that you understand the era in which the book is set, so for 'The Perfumer's Secret,' I needed to know everything about the First World War from a French perspective. I had to understand those people and that town in 1914.
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I think that ballet is very good for the body. It's very similar to yoga, because you have to hold a position.
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I'm not expecting the American literary community to welcome me with open arms. To them I'm just some schmuck kid who wrote some book.
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I read a lot of comic books and any kind of thing I could find. One day, a teacher found me. She grabbed my comic book and tore it up. I was really upset, but then she brought in a pile of books from her own library. That was the best thing that ever happened to me.
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A book is a gift you can open again and again.
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After 20 years, a million written words, and nine rejected novels, I finally landed a book contract.
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Every well-written book is a light for me. When you write, you use other writers and their books as guides in the wilderness.
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It's easier to release an ebook than a print book.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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Just personally, I've been attached to 'On the Road' since 2007 and it was the greatest thing in my life when I got cast in it. I couldn't believe it. When I was 17 and read the book, I looked it up on IMDb and it said that Francis Ford Coppola was going to direct it.
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There's a market for mysteries for adults. That feeling of opening a book and delving inside and not coming out until you've closed the book.
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We did a play of 'Frog and Toad' at my elementary school. And I'm not sure if this is part of the book or it was something that we made up on our own, but I auditioned to play the black hole, which somehow makes sense to me.
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At 20 and 30, we are like travelers in a foreign country, reading the guide book to learn how to behave, to learn when the post office is open. Trivia looms important; critical issues fade into a pastel background, unrecognized.
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In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story.
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When I read a book I seem to read it with my eyes only, but now and then I come across a passage, perhaps only a phrase, which has a meaning for me, and it becomes part of me.
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I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.
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Orwell wasn't right about where society was in 1984. We haven't turned into that sort of surveillance society. But that may be, at least in small part, because of his book. The notion that ubiquitous surveillance and state manipulation of the media is evil is deeply engrained in us.
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I'm living my life, not buying a lifestyle.
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I always judge a man by his shoes and his watch.
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Come back, come back, back to Jamaica Don't you know we made a big mistaika We would be so sad if you told us goodbye And we promise not to shoot you out of the sky!
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I believe in the complete freedom of thought and speech - alike for the humblest man and the mightiest, and in the utmost freedom of conduct that is consistent with living in organized
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During every book, I have a nervous breakdown. Usually it's about two thirds of the way through the book - I'm just comatose on the couch for at least a week, and I eventually break through it and have an answer about how to fix the thing.
