Lorene Scafaria Quotes
It's really hard as a screenwriter, you feel like you have a vision and then you turn it over to a director and you have to let it go.
Quotes to Explore
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Bitcoin is both disruptive from a technology perspective, but there's a tremendous power of social good behind it. So you can both build a cool business or have a great investment return, and there's the promise of potentially improving the remittance industry or banking the unbanked.
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The man who is intent on making the most of his opportunities is too busy to bother about luck.
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The voters of Colorado deserve honest, straight-talking elected officials.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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I tried martial arts classes for three weeks, but I quit because you actually get hit. I just want to do the movie kind of martial arts.
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The one thing about going from the audience to the stage in just three years is that you know how it feels to be down there.
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It's true: a lot of sportspeople really struggle to find something to do when they finish. It tips them into all sorts of strange things. With ex-footballers, it's really scary. I think 70% of them get divorced within five years. It's hard. You go from being really famous to not that famous. Your salary drops through the floor.
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I would love to be a professional athlete. When I was living in Mexico as a teenager, I did seven years of gymnastics and went to the Junior Olympics. I was getting to the level of going to the international competitions, but I was only 14, and my parents were really worried because they did not want that to be my life.
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I knew Dana White as a good guy, a good square guy.
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I was never a Boy Scout, but oh, I wanted to be one when I was a kid about ten or eleven years old. But there wasn't anyplace where I could ever join the Boy Scouts.
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I don't even listen to hip-hop anymore. All my friends are white and over 40.
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You'd think that radio was around long enough that someone would have coined a word for staring into space.
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You watch yourself age and it's hard to feel like a sex symbol.
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There are a lot of things that people go through, and maybe they don't know how to get through it, and maybe you do, and if you have some sort of knowledge or power, share with the world.
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Preach or proselytize for Christianity in much of the Islamic world, and you are a candidate for martyrdom. Practice freedom of speech in Xi Jinping's China, and you can wind up in a cell.
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We never had a huge squad and we never had a great deal of choice. But in many ways that helps because you've got to make do with what you've got. You don't have too many problems about picking the team you just hope that everyone turns up on the day.
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As the captain, I was going to be having the dominant role in most of the episodes, and that was appealing. I wasn't interested in coming to Hollywood to sit around.
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Everybody respects the Vietnam Veterans of America.
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Most of the important composers in our country are clustered in the Northeast.
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I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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As soon as I started writing the first batch, I had a vision. I saw me on stage playing a certain type of music. I want to take these blues melodies over aggressive guitars. I heard the sound I wanted to make. I knew what I wanted to do. It wasn't ever there before.
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And what of regrets? I shall live with them. I shall accept my regrets as part of my life, to be numbered among my self-inflicted wounds. But I will not endlessly gaze at them. I shall allow the memories to prod me into doing better with those still living. And I shall allow them to sharpen the vision and intensify the hope for that Great Day coming when we can all throw ourselves into each other's arms and say, "I'm sorry."
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No matter how slow the film, Spirit always stands still long enough for the photographer It has chosen.
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It's really hard as a screenwriter, you feel like you have a vision and then you turn it over to a director and you have to let it go.
