Lorin Maazel Quotes
I don't want to be conducting Mahler with my head stuffed full of 10 million notes from other composers.
Quotes to Explore
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I always say, keep a diary and someday it'll keep you.
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A man's primary fantasy is access to a variety of attractive women without the fear of rejection.
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I'm into menswear slacks that are comfortable.
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I'd like to work on job and educational opportunities for all.
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In a play, you only get one chance, and you have to get it perfect. In a film, you can change and fix it whatever way you want, so really, there's a pretty big difference.
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I love Dr. Hauschka's blue mascara. It's not so blue that it's like, 'What's wrong with you?' It's more like a secret that you're wearing it.
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I'm used to being part of 'Game of Thrones' and going into something where you're a small part of something else. You don't want to hold anything up because they've got such a well-oiled machine going.
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Doubt can motivate you, so don't be afraid of it. Confidence and doubt are at two ends of the scale, and you need both. They balance each other out.
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The only summit meeting that can succeed is the one that does not take place.
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I don't want to be a strong hero who can save society. I just want to save myself.
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I get very involved with my things, and they are not standard equipment.
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China has leapfrogged into this information age, and Web users have grown very significantly, which knocked down the cost of doing the environmental transparency.
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You can chain me, you can torture me, you can even destroy this body, but you will never imprison my mind.
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France and Germany have the manufacturing and skill base which is useful to us. France is our dependable strategic partner.
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Some music comes from a real place; some music comes from your imagination. It's difficult to find out what's real and what's not, especially with the gangster stuff.
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Shackle your mind when you bend on the cross,When ignorance reigns life is lost.
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We are not the people we are in films. I am not an alcoholic. But I portray that. I can't bash up 20 guys at a time in real life. It's just that I do it well on-screen.
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I love animals and plants and sometimes even people.
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What was once thought can never be unthought.
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So many people wait around for funding, and if they're unsuccessful, they don't make the film; if you've got a good idea, that seems so pointless. There's always a way of doing it; you've just got to find it.
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After 'The Sisters Brothers,' I tried to write a contemporary story dealing with an investment adviser in New York City who moves to Paris. I did all this research, but after about a year and any number of pages written, I was bored stiff.
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I like the idea that cinema is a spectacle.
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I don't want to be conducting Mahler with my head stuffed full of 10 million notes from other composers.
