Andy Biersack Quotes
Quotes to Explore
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Yes, there is plenty of hard work for them in addition to that which they do when they appear, smiling and happy, when the curtain goes up. Giving a performance is the least of their worries.
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I think the American people deserve to have the issues debated, regardless of which side they're on, so that they are fully aware of what their representatives and senators are voting for and voting against.
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There's a different energy with a female director, a female at the head of the production. I don't prefer one over the other, but they're definitely different experiences, and I would love to have more of them.
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I get a choice every time I have to open my mouth: that it can be with civility and dignity and grace - or not.
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Anytime I listen to my gut and I don't do something, or I do, it always tends to work out in my favor.
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There is a moment in your story when you can pinpoint the exact time you fell in love, be it with a place or a person. I can remember both like it was yesterday.
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'Limbo' has been one of the greatest hits of my career. A great response all over the world, not just Latinos but people in Europe and America.
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All tyranny, bigotry, aggression, and cruelty are wrong, and whenever we see it, we must never be silent.
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Once you've built the big machinery of political power, remember you won't always be the one to run it.
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Every woman must own her story; otherwise we are all part of the silence.
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Inspiration is God making contact with itself.
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I grew up in an era of pretty severe poverty. My parents weathered the Great Depression, and money was always a very big concern. I was weaned on a shortage mentality and placed in foster homes largely because there simply wasn't enough money to take care of the most basic of needs.
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You know, rap is sort of like a form of talking, right? So it's like you can hear, you know, the slaves doing it. You can hear, like, you know, Africans and Jamaicans doing it just kind of as, like, a rhythmic, poetic conversation, you know, to a rhythm.
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I want to be like Bradley Cooper when I grow up.
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I really just like characters who you don't know where they stand for a long while. It's like people. You hang out with them for 10 years, and then all of a sudden they do something, and you say, 'Who are you?' That's more interesting. In life and on-screen.
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In international relations, in foreign policy, a great deal has to do with historical circumstances, a great deal has to do with the sense and perception of people.
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I'm glad I've never been so successful that I couldn't stop doing one thing. I've kind of been able to just kick it along and switch around.
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I love shopping in New York just because you walk around and find a little store you've never saw before, and you're like, 'Oh what's that? This is my new favorite place.' I love that about New York.
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I think it has been a weird mistake to have people with their own music careers going on and judging people because when they're too critical, it affects them. They don't want to be that honest, because they need to keep their appearance up.
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'Bonfire' was kicking around for a very long time. It was an idea I wanted to explore for a television show. Then I was given this weird gift of time when 'Jessica Jones' finished season one. I got really organized and just kind of banged it out, but it took a long time. It took two years to even have a first draft.
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Refusing to grow up is like refusing to accept your limitations. That's why I don't think we'll ever grow up.
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There was a lot more to magic, as Harry quickly found out, than waving your wand and saying a few funny words.
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These are issues we've been grappling with since the Constitution was written: how you hold your government to account for its words and deeds. It's all about power and the abuse of power.
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It's not easy to be the weird kid or the rebel.
