Andy Kindler Quotes
Quotes to Explore
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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Creationists make it sound as though a 'theory' is something you dreamt up after being drunk all night.
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I think everybody has to be better, right from me out. Everybody has to step up their games for us to be successful here. I've been lucky to be on some good teams over the years and that's what it takes, everybody contributing night after night.
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I've been quite fascinated by the relative insignificance of human existence, the shortness of life. We might as well be a letter in a word in a sentence on a page in a book in a library in a city in one country in this enormous universe! And that kind of fear and insignificance has kept me awake at night.
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I used to be a night owl. I no longer am a night owl.
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It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.'
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I'll never forget one morning I walked in and I had a hell of a bruise - it had been a difficult night the night before - and a client said to me, 'Good God, Vidal, what happened to your face?' And I said, 'Oh, nothing, madam, I just fell over a hairpin.'
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Forget it, Louis, no Civil War picture ever made a nickel.
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Life is painting a picture, not doing a sum.
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Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
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You know what it's like to feel anxious - it's horrible feeling anxious. It's stressful having that feeling, having butterflies in your stomach, even for a day, and you don't sleep at night.
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You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
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I think 'In The Heat Of The Night' was one of the most influential films on me. Looking back now, I can see how influential it was on my screenwriting because here you have what looks to be a crime procedural, and it's actually a study in race and loneliness, and a perception of an era.
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And TV is not the easiest place to be dangerous or on the edge. Especially on a Saturday night.
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I am 90. I can work day or night. I'm the same guy, but the polls show the effect of age. That's the issue.
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Friday night is our date night. We really carve out time for each other.
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I think people overplay the 'Saturday Night Live' schedule. I mean, yeah, it can be some late hours. But the late hours are usually only one or two nights out of the week. You might have a crazy six-day week, but you'll work three weeks, and then you get a week off work. I'd take most jobs if it was hard work and then I got a week off.
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First acting gig was playing a victim in 'America's Most Wanted.' The night the show aired, they caught the killer!
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I look at the camera as sort of a missing link between motion picture photography and still photography.
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Night raids are only the first step in the American detention process in Afghanistan. Suspects are usually sent to one of a series of prisons on U.S. military bases around the country. There are officially nine such jails, called Field Detention Sites in military parlance.
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I firmly believe that emotions are universal, and I know that when they connect with the audience, it works. There is no such thing as an entertaining or a serious film; there are good films and bad films. Good films will always find a vast audience.
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After I finished my first draft of 'Salvage the Bones,' I felt that I wasn't political enough. I had to be more honest about the realities of the community I was writing about.
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Theorems are fun especially when you are the prover, but then the pleasure fades. What keeps us going are the unsolved problems.
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'The Graduate' should have won best picture over 'In the Heat of the Night.'
