Andy Rooney Quotes
Quotes to Explore
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Iggy Pop has a voice that's somehow simultaneously self-mocking, wild, precise, amused, righteous, cool, contained and bold. I don't know how he does what he does.
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The kindest word to describe my performance in school was Sloth.
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My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?' What can I say? I just tell her I can't promise, but I'll try my best.
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Be a good-looking corpse. Leave a good-looking tattoo.
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I think at first the Flume project really started out as an online thing. I used Facebook and SoundCloud, and I think we got lucky because it felt like a bit of a golden age of those social media platforms. So I managed to create quite a solid fan base online.
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Violence would be a huge gift to those who want a divided Lebanon.
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I love Bob Altman. I always admired him so much because I always thought he was a genuine voice.
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If I could meet Quentin Tarantino, I don't know if I'd just ask him one question. I'd probably milk it into, like, 500 questions.
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If apartheid is removed, then the violence that is necessary to maintain it will be removed along with the pressures from apartheid which create a violent response.
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I think we all carry the seeds of our own destruction. You really have to be aware that just because something is good, it doesn't mean it's not going to trigger a self-destructive impulse.
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The Oscars are a lot different when you are a nominee. You walk around with this big smile on your face, and everyone, even people who work for rival film companies, tells you they voted for you.
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I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
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I always used to watch 'Labyrinth' and 'The Neverending Story.' Those were like my two favorite movies that I would watch over and over and over again.
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When you're with your club team, every week you have a performance to judge. But when you're with the national team, it's a little different because you might not play for three or four months at a time. Things change constantly.
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I didn't realize that winning the Olympics at age 14 automatically put me in the category of being a celebrity.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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The drama and the trauma of the relationship you have when you're 16 can mirror the one you have when you're 26. Life repeats itself.
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My writing books with positive gay characters has come more out of anger than anything else: anger at not having been able to find honest, accurate books about people like myself as a teen, books that show we're as diverse as straight people and that we can lead happy, healthy, productive lives just as straight people can.
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In a bigger picture, all over the world is a boys' club.
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If physical death is the price that I must pay to free my white brothers and sisters from a permanent death of the spirit, then nothing can be more redemptive.
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In order for a long piece of work to engage a novelist over an extended period of time, it has to deal with questions that you find very important, that you're trying to work out.
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What's important is that twice two is four and all the rest's nonsense.
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Being kind is more important than being right.
