Andy Samberg Quotes
If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets and they all have an opinion.
Quotes to Explore
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If I could distil the relevance of Bruce Springsteen's music to Australia it would be this: don't let what has happened to the American economy happen here. Don't let Australia become a down-under version of New Jersey, where the people and the communities whose skills are no longer in demand get thrown on the scrap heap of life.
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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Being 16 years old and getting an electric guitar is never going to get old. There's always going to be kids making music. There's always going to be kids in bands.
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Music history has flowed under the bridges for many years.
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I actually spend very little time listening to any new music.
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Art is the elimination of the unnecessary.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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There's something about a humid, dusky evening that's kind of sexy.
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I wanted to be an animator originally. I went to art school; I went to art college and everything. But that screen was just calling me.
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To keep art stimulating, it's important to open it up to new horizons, which includes showing it in unexpected contexts.
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It's good to make your own things because you can have control of your own art.
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I'm not a pop act, churning stuff out really quickly. I find the music that arises from that style of working is distracted, not particularly profound.
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It's really kind of hard to be a suburb of nothing. If you don't have a downtown, you really don't have anything. It's hard to build a community around parking lots and subdivisions.
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Once you've been really bad in a movie, there's a certain kind of fearlessness you develop.
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I sat in the green room at Radio City Music Hall for the 2006 NFL Draft. At my table, I was encircled by my parents, brother, agent, former coaches and close friends.
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You can't please everybody. All you can do is please yourself.
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I enjoy doing physical comedy. I'd love, you know, them to throw me some shtick that way. I'd love to do that, if they need physical comedy, if they'd let me display my wares that way.
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Telling purposeful stories is interactive. It's not a monolog. Ultimately, purposeful tellers must surrender control of their stories, creating a gap for the listener(s) to willingly cross in order to take ownership. Only when the listener(s) own the tellers' story and make it theirs, will they virally market it.
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If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets and they all have an opinion.
