Andy Serkis Quotes
And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.

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I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
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The 1992 crisis proved that the existing system was unstable. Not moving forward to the euro would have set up Europe for even more disruptive crises.
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Ikea people do not drive flashy cars or stay at luxury hotels.
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My thoughts fly to the old Icelandic storytellers who created our classics, whose personalities were so bound up with the masses that their names, unlike their lives' work, have not been preserved for posterity.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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The people are hungry: It is because those in authority eat up too much in taxes.
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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Hanson has rapid female fans, which I'm completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There's younger fans. More and more guys are Hanson fans, musicians or kind of guys who were into a Beatles record.
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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When I was growing up, I was teased for being too skinny. I went to summer camp when I was 11. I wore shorts, and the nurse said to me, in front of all my friends, that I was anorexic and that she had to monitor me to make sure I was eating. Because of that trauma, I never wore short pants or short skirts until I was 20.
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A lot of people tend to glorify the role of satire and comedians. They put them up as role models, as fighters for the truth and against tyranny, and I think that's overrated.
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Growing up, I liked all the stuff that everyone else was listening to, like Motown, but the biggest group of all was The Beatles.
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I have given up reading books; I find it takes my mind off myself.
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I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, 'Git 'r done!'
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I don't just train to be a participant. I train to come up big in big moments. That's when I know I've got to roll the sleeves up.
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I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
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My dad was so much fun growing up.
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My grandmother, grandfather, my mom - we've always been driven by laughter. It's what held us together. Thanksgivings, any kind of family get-together, we usually end up in tears.
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Women make natural anarchists and revolutionaries because they've always been second-class citizens, kinda having had to claw their way up. I mean, who made up all the rules in the culture? Men - white male corporate society. So why wouldn't a woman want to rebel against that?
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I've become totally hooked on Cellex-C. It's an anti-ageing serum and is fantastic. I use it morning and evening and even on my hands, where it has faded those dark spots.
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Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.
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The summer I finished my first novel 'Ghana Must Go,' I drove across west Africa: from Accra to Lome to Cotonou to the deliciously named Ouagadougou.
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No mistake is more common and more fatuous than appealing to logic in cases which are beyond her jurisdiction.
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And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.