Andy Summers Quotes
Quotes to Explore
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I don't know how I did it, but I worked 7 days a week.
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I started auditioning but at times would feel depressed, as I would get shortlisted but never received the final call. Only when the commercials were released would I come to know that I was not selected.
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I don't care tuppence whether I'm forced into a leadership position or not. I'd much sooner not.
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In China, we don't know about the swimming pool game, but we know about Marco Polo.
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U.S. intelligence services routinely use collection methods against foreigners that foreseeably - with certainty - ingest high volumes of U.S. communications as well.
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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'SVU' is one of my favorite shows. When I got the call to appear and play myself, I jumped at the chance. Obviously, I went over my lines, but playing yourself is a really great way to get your feet wet in the acting field. I enjoyed being on set and learning as much as I could about the scripted world.
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Why would Senator Allen want to oppose saving money for the state? It's simply another example of Republicans fighting the governor tooth and nail against any measure where she might be able to turn the state's budget around.
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In the spring of 1936, I was introduced by friends to Jean Tatlock. In the autumn, I began to court her. We were at least twice close enough to marriage to think of ourselves as engaged.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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To be honest, if it wasn't for my daughter, I don't think I would have gotten out of the situation that I was in before 'Idol' because I am a domestic violence survivor.
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What I try to keep an eye on is I don't work for the party bosses in Washington. I work for 26 million Texans.
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Your focus should be on creating an environment where growth can occur and then letting nature take its course.
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You have a new role: family caregiver. It's a role nobody applies for. You don't expect it. You won't be prepared. You probably won't even identify yourself as a caregiver.
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It's really not about me. At the end of the day, God willing, I'll have another 40 or 50 years on this planet, and what I'm saying to myself is, 'What do I want to leave here?'
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Kids have a weird honesty, especially in their reaction to things where a lot of older people who have matured have lost that.
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I'm nearsighted in my right eye, have glaucoma in my left, and the nerves in my hands are on Medicare. Basically, I'm on the wrong end of a short sale.
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The simpler the message, the broader the meaning, in many respects. I think about a song like Free's 'All Right Now,' which I'm often asked about. It's that sort of song.
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Livelihoods and whole communities throughout the Murray-Darling Basin have been imperilled by the workings of drought, fire, flood, acid mud and human action over many decades. In the rescues and the cleanups and the long hauls, I see the same attitude over and again. People just rally and get on with it.
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Every nation has to follow a certain policy: Commercial, trade, various other types of policies.
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I've always been into 'fast-paced, don't bore 'em, keep it moving along, stick with the story.' You know: tell a story the way I want to hear a story. I find it more rewarding to write for kids, but I also find it a little easier, because you can just let loose a little bit more in terms of fantasy and stuff.
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When I was playing with synth players, I was still within a conceptual framework of playing music. When I started playing solo, I became much more aware of the acoustic phenomena that the instruments were producing.
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I am pretty embroiled in moving on and moving forward with music.
