Ang Lee Quotes
So anything that's not absolutely needed, we would cut it [footage] out, which would make me very insecure; everything has to work, and it's a water movie in 3D with a kid, animals. So the more I do that, the more I'm scared of "What if it doesn't go the way we want it?" But we had to do that to meet the budget, otherwise we wouldn't even have a start-date.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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In Kenya women are the first victims of environmental degradation, because they are the ones who walk for hours looking for water, who fetch firewood, who provide food for their families.
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The beauty of soaps is that it takes a village to make it work, and you get to work with really hardworking people.
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I've worked in television all my life, but really I've always wanted to work in the movies.
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I was raised to want to work for a living. The idea of just sitting around or going shopping every day appalls me.
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My kids like their eggs with catsup. I like mine with salsa.
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I accepted the interviews and encounters that had to be held with the media, but I would have preferred to work in peace.
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Everyone in Hollywood is seeking fame and fortune; it's in the water here. Everyone from young women to old men - they all want it.
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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I can't be a hypocrite as a coach because as a player that's what I wanted. I wanted feedback, I wanted communication from the boss. I showed up for work, you can yell at me if you want, but I want input. So that's the kind of coach I want to be.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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I've always wanted to be able to hold my breath for like, ever, and swim in the water like a fish.
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I learned about M&A and how to value assets and work with investment bankers.
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If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'
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Letters actually work. Even the top dog himself takes time every day to read 10 letters that are picked out by staff. I can tell you that every official that I've ever worked with will tell you about the letters they get and what they mean.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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What people don't realize is that the initial sales of an album isn't where the bulk of your returns come from. It happens over time, sitting in the catalog, picking up commercials, getting included on packages here and there - there's years and years of pipeline money that goes on. That's where real money comes from - building that body of work.
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I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
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I was an absolute idiot, wearing polo-necks, reading Kerouac, watching Woody Allen movies, and jazz fitted right into all of that. My interest in that whole world became very genuine, but perhaps started off a bit affected - a mixture of right and wrong reasons. I was always drawn to non-commercial music, perhaps pathologically so.
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I'm a big lipstick girl - I'm old school that way.
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I'm doing a lot of touring and things have been really busy for me.
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So anything that's not absolutely needed, we would cut it [footage] out, which would make me very insecure; everything has to work, and it's a water movie in 3D with a kid, animals. So the more I do that, the more I'm scared of "What if it doesn't go the way we want it?" But we had to do that to meet the budget, otherwise we wouldn't even have a start-date.
