Angela Cope Quotes
Quotes to Explore
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It amazes me that talking about traditional values is controversial, but it seems to be.
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I don't know how you make decisions in your life, but I weigh lots of things, and it's not always the purest of things for why I take a job or do this. I always try to think of the many different factors in my life, and not one is pure greed. One is pure quality of life.
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The different bodies of my work end themselves when there's no more discovery to be had.
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Acting is doing. It's not speaking; it's behavior. It's something happening, even if you're only listening.
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I would love to get great performances from actors as a director, because that's what I'm always looking for, a director that's going to help me go places I've never been before.
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I never go anywhere. I do sketches and make phone calls, and people visit. It's more fun to come to Paris.
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From the happy-go-lucky days of oil exploration and drilling, when a lot of easy sources were being found and easily managed, we're gotten ourselves into this sort of apocalyptic time. We're willing to destroy almost everything, risk almost anything, and go ahead with techniques for which we have no way of responding to the known problems.
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Bad humor is an evasion of reality; good humor is an acceptance of it.
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One of the peculiar sins of the twentieth century which we've developed to a very high level is the sin of credulity. It has been said that when human beings stop believing in God they believe in nothing. The truth is much worse: they believe in anything.
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Whatever we put our attention on will grow stronger in our life.
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I actually don't invest in anything that is social, mobile, deals or ad networks simply because those are areas where there are so many players and so many other smart people in the space, I feel like I don't have a competitive advantage. So I tend to go after things that are e-commerce, like healthcare.
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I still have a lot of my friends from high school. You just know who is there for you for real, and who is trying to get something out of you.
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I still do the standard editorial cartoon: that is my bread and butter. I absolutely love doing that.
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Shoulder the sky, my lad, and drink your ale.
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Our cast and crew strive for this show after show hard as they can. It shows in the finished product.
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I wish to add my mite towards expounding & interpreting the Almighty, & his laws & works, for the most effective use of mankind; and certainly, I should feel it no small glory if I were enabled to be one of his most noted prophets (using this word in my own peculiar sense) in this world.
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The part of Stripe that I've always found most interesting is the idea of facilitating new commerce that wouldn't otherwise happen. Payouts is turning out to be a big part of that. These new networks are efficient, intelligent replacements for offline behemoths.
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Do I have to use my feet? Can I knock the window out with my head?
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I didn't need clothes. I was allowed the opportunity to act out moments you don't get the opportunity to experience in your own life, let alone as a character in a film. I didn't feel naked.
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So if there was a way that I knew something about my character's desires or the things that they were resisting because I was saving it for some grand epiphany moment for my readers, I just feel like that's when you can feel the machine at work in a story. That's when you can feel the writer pulling the strings of the puppet.
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The reason New Orleans is still around is because of the celebrations it has inspired since its inception as a city. I'm always excited about the possibility of what might happen. That's what drives us, and I think that's the spirit of New Orleans and the spirit of jazz.
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There's a kinship among men who have sat by a dying fire and measured the worth of their life by it.
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I drive a BMW 1 series convertible. I love my Beamer.
