Louise Brooks Quotes
The tragedy of film history is that it is fabricated, falsified, by the very people who make film history.
Quotes to Explore
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I don't like people cleaning my room.
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People are like, 'Was it hard growing up mixed?' 'Did you not fit in?' and I'm like, 'No? What? That's the dumbest question ever.'
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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We're supposed to be an example of freedom, and if we are doing things that are injustice to people, then what is our statement?
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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Anyone who knows anything of history knows that great social changes are impossible without feminine upheaval. Social progress can be measured exactly by the social position of the fair sex, the ugly ones included.
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It's one thing to live my own life and know that I'm O.K. But there's another thing I want to take on, and that is letting people know that they're O.K., too.
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I love observing people. Each face tells so many stories. It lets me understand emotions, and that, in turn, helps me apply my skills as an actor.
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If you are attempting to study American history, and you don't understand the force of white supremacy, you fundamentally misunderstand America.
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A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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As heat rises, so does the number of people trying to cool down homes, schools, hospitals and businesses. This isn't just about comfort; it's a matter of public health.
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The truth is everybody does it from time to time. People dial telephone numbers and they get a wrong number only to find that they've read the last two digits backwards. Everybody does it, but dyslexics have this tendency to a higher degree.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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In the long run, we need to build a leadership force of people. We have a whole strategy around not only providing folks with the foundational experience during their two years with us, but also then accelerating their leadership in ways that is strategic for the broader education reform movement.
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I don't want to privatise part of the parliament, like some people in Russia.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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Startling, and alarming to many, is the conclusion that follows from these data that if all people were treated the same, most average race differences would not disappear.
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I tend to enjoy roles that I very closely identify with: fringe people and complicated characters, who might even be bad guys, or bad characters that have one redeeming quality.
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Coaches know that a parent publicly scolding his kid after a race will not help the athlete perform better.
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I dream of a peaceful world. Music is the best means I have to work on that dream. Each time I have the opportunity to play, it is another chance to tell the truth. Life on the planet has come down to such an acute degree of ADD it is terrifying. We are constantly being bombarded from all directions with information - most of it useless that serves to bifurcate the mind. I am afraid that people are going to go from birth to death and never know they were here or why they were here.
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The tragedy of film history is that it is fabricated, falsified, by the very people who make film history.
