Louise Erdrich Quotes
I work really out of mythology, so often I work out of a story that has remained lodged inside somehow, or I work out of history, you know, out of a sense of historical inevitability with characters.
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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Mikhail Gorbachev was the Jimmy Carter of the Communist bloc. The Russians hate him.
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I think that as you grow up, as you get older, we can't get bitter, we can't get jaded.
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One Direction is the main thing I'm doing and I'm 100 per cent dedicated to the group.
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Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Becoming a vampire means completely changing your identity.
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I wanted to live the life, a different life. I didn't want to go to the same place every day and see the same people and do the same job. I wanted interesting challenges.
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A dinner invitation, once accepted, is a sacred obligation. If you die before the dinner takes place, your executor must attend.
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Beijing was such a different city. There were so few cars, I could walk in the middle of the road. In the summer, the streetlamps attracted swirling bugs. I loved those bugs: crickets, praying mantis, all kinds of beetles. I also have a vivid memory of dazzling sunlight coming out of the sky.
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My work on human capital began with an effort to calculate both private and social rates of return to men, women, blacks, and other groups from investments in different levels of education.
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Commonsense is the realised sense of proportion.
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I have the rare privilege of talking to my dad every night at 10 p.m. and hearing about what he did that day.
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If I was Sean Connery, I would have been macho.
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Our troops do an incredible job every single day, but our policymakers have not lived up to the sacrifices that our troops make every day.
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It's like a painter with various layers of paint. I start with a drum loop and add keyboards, and then melodies start to take shape. The vocals happen later. I've never really done therapy before, but it's a form of therapy. Everything else falls away.
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I have many debates now with friends on the changes, and the continuing confusion over bringing up your children, instilling values, letting them make the right choices.
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My brother Martin is two years younger than me. There has never been any competition between us - clearly he was the good-looking one; he was also very sporty, and I am not a football player.
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She was short on intellect, but long on shape.
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The Church is not a showboat; it's a battleship.
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'Sabotage' was an opportunity. That was journeyman work, but the irony is I learned more off that movie on what filmmaking is and isn't than everything else combined. A lot of lessons, and it will impact me for the rest of my career.
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If I would have had the same opportunities when I was 22, there's a good chance I would have squandered them. I know my work wouldn't have been any good.
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Wasim and Waqar were amazing bowlers. I would put them right up there with the best in the world.
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I work really out of mythology, so often I work out of a story that has remained lodged inside somehow, or I work out of history, you know, out of a sense of historical inevitability with characters.
