Angelina Jolie Quotes
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
Quotes to Explore
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A healthy economics has got to have both conceptual, theoretical research and applied, empirical research.
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Exercise helps my back. If I don't exercise, that's when it starts to hurt. The pain is a good motivator to run and exercise.
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I've been to a few conventions, you know, when the tax man knocks at the door and the 'Star Wars' convention people say: 'Do you want to come and sign some autographs?'
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Many writers from the suburbs of history, such as Ireland and Argentina, produced more original work than their counterparts in the United States; they still seem to.
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In the world of words, the imagination is one of the forces of nature.
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I do not consider myself beautiful.
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Hedge funds are not especially liquid. Many are 'gated' - meaning there are only small windows when you can withdraw your money. They typically have a high minimum investment and often require investors keep their money in the fund for at least one year.
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I'm the eldest at 51, and if the Stones can drag themselves around once more, then there's a few more albums in us.
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The importance of logo into today's fashion is un! be! Lievable!
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It's rumored that doing well in real estate is to be able to close a deal. I did not find that to be the case for myself, I was probably the worst closer out there and I didn't find that was true of my top super stars either.
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Any time you have an injury, it's going to be tough.
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I was thinking things had changed: that the next generation of men weren't as institutionally misogynist as the previous were. And then, suddenly, the Internet came along and gave them a platform to voice their feelings anonymously. And boy, did the bile come out.
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I'm very competitive but in a very nice way.
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I'm in so many videos. There was a period of about two years where I danced for everyone: Kylie Minogue, Ed Sheeran, Jessie J, Taio Cruz. It got to the point where my fees were double the other girls', and I wouldn't even have to audition. They'd call my agent directly and say, 'We want twigs to come in.'
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I don't want to be someone else.
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Being in Harlem on the night of Barack Obama's election was extraordinary. It was the best street party I have ever gone to, and it felt like the period of American history which began with slavery had ended that evening.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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I'm very fortunate to have gotten past the cancer problem.
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God is obviouslt God, and Heaven obviously exsists, and every word spoken here on earth turns heads up there.
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I've always basically done everything that's been offered to me. I'm one of the few actors who enjoy working a lot.
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A religion is a system of symbols which acts to establish powerful, pervasive, and long-lasting moods in men by formulating conceptions of a general order of existence and clothing those conceptions with such an aura of factuality that the moods and motivations seem uniquely realistic.
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My first few films were institutional comedies, and you're on pretty safe ground when you're dealing with an institution that vast numbers of people have experienced: college, summer camp, the military, the country club.
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I never really watched much stand-up growing up. I just was not really that into it. But I can say I honestly fell in love with it the second I touched the microphone. It was like this weird thing where it's like, 'Oh, yeah, this is what I'm supposed to do.'
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I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
