S. E. Hinton Quotes
I learned that if you want to get somewhere, you just make up your mind and work like hell til you get there.
Quotes to Explore
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.
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I don't believe in sharing my money. If I go out and work my nuts off and make some money, I don't feel that I should have to share it with my community.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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Being in this fine mood, I spoke to a little boy, whom I saw playing alone in the road, asking him what he was going to be when he grew up. Of course I expected to hear him say a sailor, a soldier, a hunter, or something else that seems heroic to childhood, and I was very much surprised when he answered innocently, 'A man.'
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When life catches up with us, we all need space to dream and indulge, so I have created my own special range of bath & beauty loveliness to help you find your happy place.
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There's very little you're not exposed to in New York City, in terms of ideas and physical things - sights, sounds, smells, different kinds of people. But one good thing about growing up fast is you get over it fast, too.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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I work out every day. My friends say that I became an actress by chance; I should have become a gym trainer. I am the most grumpiest and irritable person if I don't work out for two days. You cannot have a conversation with me.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
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I have decided that I won't take up assignments that don't interest me.
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There's a lot of cruelty going on all the time, and I'm not just talking about inter-human cruelty. I'm talking about whole species becoming extinct, asteroids hitting planets, black holes gobbling up stars.
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My dad was so much fun growing up.
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I've never seen hard work fail.
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I got behind that pencil and nothing happened for many years, but since they put me in the Songwriters Hall of Fame, I've turned around. I took a good look at myself and said, I think it's time to get back at work.
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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
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I want to get so famous that I don't have to wake up in the morning. It'll probably never happen.
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This is the real secret of life - to be completely engaged with what you are doing in the here and now. And instead of calling it work, realize it is play.
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The issue is: how do you engage the audience? And one of the things I talk to our communicators about is: The outline is great; the stories are great. But how do you engage them? How do you make it feel like we are on a journey, not you are just up there giving me information.
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I've come up with a set of rules that describe our reactions to technologies:
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I think my style of game is aggressive.
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We'll all be riding that streetcar of desire.
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I learned that if you want to get somewhere, you just make up your mind and work like hell til you get there.
