Anita Morris Quotes
Quotes to Explore
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I can only control what I can control.
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I'm an emotional person.
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My mother's kitchen was built to be the focal point of our house. I got into the kitchen often as a child.
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Certainly, grades only matter so much when you're in Hollywood. But I became an utterly motivated, devoted, committed student. I was a good student because I was convinced that it would somehow help me in my quest to become a filmmaker.
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When I was 11, I decided to start rapping, playing guitar, and writing songs. Everything really blossomed from there.
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I always give importance to scripts first, and remuneration is something that comes later.
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People say I look like a vampire. I don't know whether to take that as a compliment or not.
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The success of ISIS is largely tied to the safe haven it has in Syria.
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Your world is a living expression of how you are using and have used your mind.
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When I was really young, my babysitters had horses, and I started riding them.
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Do you remember any instance where tyranny was destroyed and freedom established on its ruins, among a people possessing so small a share of virtue and public spirit? I recollect none, and this more than the British arms makes me fearful of final success, without a reform.
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I like ground and pound; I don't know if it is like a technique or discipline. I like to be on the ground, but I don't necessarily go for submissions or anything.
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I don't go out, so I don't get attention from girls. They're not going to have posters of me on their walls. I just try to get on with my life.
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I think fearless is having fears but jumping anyway.
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I've spent a lot of time and money trying to keep my anger in control.
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We lived together as kids, and now we're taking care of each other as men.
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It is, according to almost every guidebook, the world's 'greatest monument to love.
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There's so many accusations that are so ridiculous about Pete Wentz that are taken as the gospel-people just assume that he posted pictures of his penis on the internet. That is the stupidest fucking thing thing I've ever heard. Why on earth would you ever do that?
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It's really fun to go back and forth from acting projects to directing projects. You don't have as much responsibility when you're acting, but you have more fun. But then you miss having that responsibility, and so you go back and torture yourself and make a movie.
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What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
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I am gone and am not coming back, but I remember everything.
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Writing can give full meaning to characters and avoid pure stereotype.
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I am not sultry. I don't know what I am.
