Luc Besson Quotes
I did The Fifth Element and Jean-Claude Mezieres, the artist of Valerian; he was working on Fifth Element. And he's actually the one who say, why don't you do Valerian? And I said because we can't make it. And you really have to wait for Avatar and to suddenly think oh okay, maybe we can think of it. But before Avatar, just forget it.
Quotes to Explore
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Clinton has more important things to worry about. He not only risks being destroyed historically, like Afghanistan's Buddha statues; he also could end up going to jail.
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The best thing is to look natural, but it takes makeup to look natural.
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No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.
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When I was in college, I studied business because I thought I wanted to be a director and producer.
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I thought I knew how to work out before I immersed myself into boxing. I now know what an extreme workout really is.
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You'd believe that a patient with hypertension, if you know you have hypertension or diabetes, you would take your drug every day. The compliance rate is more like 30% or 40%. Which means that 60% of patients don't take their drugs, and they actually go into these crises, end up in the hospital.
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What I've learned is that you really don't need to be a celebrity or have money or have the paparazzi following you around to be famous.
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If Dana White can offer a contract that's not one-sided, and it's not cumbersome to the point where we look at it and realize that we can't fight for him, then we'll fight in the UFC.
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With its imagination and large sales, Apple has become the world's most valuable IT company. However people are starting to have doubts regarding Apple's silence on heavy metal pollution problems.
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I think confidence does come with time, and I've been really surprised by that, actually.
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'Moby-Dick' has a remarkable way of resonating with whatever is going on in the world at that particular moment.
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! want to leverage the creativity of researchers across mathematics, statistics, data mining, computer science, biology, medicine, and the public at large.
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I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lifetime's work, and I don't profess to be anything other than a novice at it.
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Only in spontaneity can we be who we truly are.
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In this culture, where entertainers and athletes wield such power, it seems only right to me that they try to make their influence a good one.
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Babies choose to lackadaisically notice the quirkiest of details - unlike us grown ups, who choose instead to focus on what we believe is most essential to us. As a result, babies have a greater expanded consciousness than us grown-ups!
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I try to write lyrics so that they won't age, which sort of leaves you with the big subjects like death and love and sex and violence.
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The best shows succeed because they tap into a national conversation.
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It's a lot easier to say you're a comic than a performance artist.
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The whole function of cities has been transformed.
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I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them "Our exercise today is not to use 'undo' at all. So, there's no second takes. Or, if you do a second take, you have to do the whole take. There's no sort of drop in, change that little bit". The session broke down in, I'd say, 40 minutes. It was impossible for people to work in that restriction any longer.
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I did The Fifth Element and Jean-Claude Mezieres, the artist of Valerian; he was working on Fifth Element. And he's actually the one who say, why don't you do Valerian? And I said because we can't make it. And you really have to wait for Avatar and to suddenly think oh okay, maybe we can think of it. But before Avatar, just forget it.
