Gavid Hood Quotes
The truth about filmmaking is you have all these ideas and you're trying to convince everybody that they should buy into this idea, but at two o'clock in the morning when you're all on your own you're going, 'Geez, I hope I know what I'm doing. I hope this idea is gonna work.'
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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I think shoppers are looking for newness and creativity. Look at C. Wonder, for instance. They're dancing in our stores. We don't believe in retail like retail was done in the past. We believe in disrupting the whole environment, offering them amazing value in an amazing package of fun, excitement and whimsy.
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My brother is the former mayor of Baltimore.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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The majority of men meet with failure because of their lack of persistence in creating new plans to take the place of those which fail.
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Unfortunately, America doesn't have a minister of culture, and I don't understand why. It's really bad for young people.
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Pictures must not be too picturesque.
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Any idea, plan, or purpose may be placed in the mind through repetition of thought.
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The emperor is in the Church, not above the Church.
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More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
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I do love to capture beauty in this world. And photos can last the test of time.
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I thought it was quite vain to say, I want to be a model.
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When I was in South Africa, I was meeting with people who never heard of Lego bricks. And yet, when I was like, 'Here they are,' they immediately got it. They saw the appeal, were snapping bricks and creating their little creations right there immediately.
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The expectation was that 'True Confessions' would be my first published book, but that didn't happen. After it was rejected by every publisher in New York and Canada, I shoved it in a closet and went on to write and publish my next three books.
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I don't know if I'd say I feel green, but I'm getting to know myself as an actor now in a way that I never did as a kid.
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The first of these phases is that of grammar, invented by the Greeks and carried on unchanged by the French. It never had any philosophical view of a language as such.
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I definitely want to be an inspiration or a role model for all the little girls out there or anyone out there that wants to break stereotypes. I feel like I'm breaking stereotypes with what I'm doing. I'm not the typical fighter, and there's a lot of people out there that won't do something just because they don't fit the stereotype.
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Fools are more to be feared than the wicked.
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I find women as writers and as characters are operating within narrow confines. They inherit a kind of ghetto of the soul. I'm trying to enlarge the spectrum.
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Time is valuable; people are busy.
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'Dream Act' kids are like all other American kids, with the exception that they have to work harder to excel in school, they live in fear of deportation, and they worry about their future.
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My record speaks for itself.
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Its designers drew inspiration from three related traditions: the architecture of the Mughals' central Asian homeland; the buildings erected by earlier Muslim rulers of India, especially in the Delhi region; and the much older architectural expertise of India itself.
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The truth about filmmaking is you have all these ideas and you're trying to convince everybody that they should buy into this idea, but at two o'clock in the morning when you're all on your own you're going, 'Geez, I hope I know what I'm doing. I hope this idea is gonna work.'
