Ann Rutherford Quotes
Quotes to Explore
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I suppose Spotify is a good thing. The ads are quite annoying, but a lot of people seem to like it and use it. I don't myself, but it seems like a good idea, and the labels are getting a huge amount of money off it, but the artists aren't, so that must be good for them... but not us.
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The 1992 crisis proved that the existing system was unstable. Not moving forward to the euro would have set up Europe for even more disruptive crises.
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Money is in some respects life's fire: it is a very excellent servant, but a terrible master.
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Money coming in says I've made the right marketing decisions.
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Nobody deserves this much money - certainly not an actor.
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When I was young I didn't care about education, just money and box office.
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You can get money and make a really cheap movie. You can, from independent financers who are just giving you money to support artists. This is what was happening in the '90s, and I was very fortunate to be a part of that.
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I love working with the Farrelly brothers. I'm a big fan and feel very lucky to have gotten to work with them a few times. One thing that I learned while working with them is that you have to keep your cell phone off when filming scenes, or you owe them a lot of money!
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Painting was a problem - you produce a thing, and then you sell it and get money, and that was quickly considered totally uncool.
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I'd rather have people really be able to step back and get their money's worth and look at me as a true artist than somebody who is just regurgitating other material.
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My mom has always been my champion. She was very smart and grounded. She said, 'Save your money. Pay your taxes. Don't put everything in one basket,' but she let me explore and be creative.
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Clearly, children's charities struggle to find private sources of money to sustain their benevolent programs.
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Money is a bubble that never pops. It's a consensus hallucination.
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In college, I wanted to be a child psychologist. Acting was just something on the side to make money. And it was fun.
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Just for you to know, people, models, are very smart. We're investing money in the right way, and, you know, a modeling job I'm taking as a businesswoman. So it's not fun for me; it's work.
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The first money I have been offered was as District Officer Ba.
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I spend my money on my props and my creations. I'm an inventor.
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Some musical directors have more chutzpah. They pick up the phone and talk people into giving. I prefer to call and say 'thank you' after the money has been contributed.
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As for poker, I've stayed away from that, even though when I was in Vegas for Ocean's Eleven, I would get accosted by these guys begging me to play. They just want to take my money. They see me, think 'actor' and see some easy money.
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Now, more then ever, we have the ability to make films for almost nothing and that's broken down all barriers of entry. I think it's a new golden age of film-making. With that, there needs to be the ability to recoup investment dollars, people need to make money.
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The thing about radio is that it's got an intimate feel. What I like is that you don't have to give it your full attention - you can still do something else that the same time, whereas TV is all-enveloping: you have to sit there and pay attention to it, and give yourself over to it. You have to surrender to it, but you don't with radio.
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Whether you need to like a character, I don't think that's necessary in order to portray him.
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I find you can lose yourself in an acting sense in a fight far more easily than you can in a dialogue scene, and I love that about it. We try as actors all the time: we strive just to completely sort of lose ourselves in the moment, and we never quite get there, but in a fight, you can do it in seconds; that is what I love about it.
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It was the height of the Depression, and suddenly I am earning pots of money.
