Ann Wilson Quotes
Fame put a lot of pressure on me in the Eighties and early Nineties - and I'm glad that I had the kind of makeup where I could come through it alive, keep myself in hand.
Quotes to Explore
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I can create institutions, but I can't rewrite the chips in people's heads.
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Born with blue spectacles, you would think the world was blue and never be conscious of the existence of the distorting glass.
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When it comes to memories of that iconic type, memories that are burned into you, I have maybe ten or so from my childhood. I'm a bad rememberer of situations. I forget almost everything as soon as it happens.
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I used to conduct the last opera in Berlin on Sunday, get on a plane on Monday to Chicago, and start a rehearsal that same night, if it was a performance week.
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I don't see a superstar out there. I don't see Georges St-Pierre coming back.
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Reading is a huge part of life.
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It's understandable why TV hasn't been diverse because a lot of TV writers are white dudes from Harvard. And white dudes from Harvard aren't going to immediately want to write about trans issues. They're not immediately going to want to write about a Filipino family.
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I don't want to do anything like Can't Hardly Wait, I don't want to do anything like Scream. I saw all those movies, and they were good, but they're just not what I want to do.
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I like almonds as a snack - keeps your energy up but doesn't fill you up.
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Falling in love is the best way to kill your heart because then it's not yours anymore. It's laid in a coffin, waiting to be cremated.
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
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If you're not careful, you can fall into a destructive cycle of self-pity.
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A lot of guys go in immediately for status, as opposed to comfort and allowing their home to tell a story about them.
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Every year we celebrate the holy season of Advent, O God. Every year we pray those beautiful prayers of longing and waiting, and sing those lovely songs of hope and promise.
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People are so complex and multidimensional that raising someone to 'hero' status is too great a simplification.
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I had spent five years not earning a penny, getting rejected. Thank God I had a husband who was supportive and encouraging. But I still said to myself, 'If the Everleighs doesn't sell, I'm finished with writing forever.' I was going to get an office job.
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I'm pretty easily overwhelmed and pretty tough as well. I think I'm tougher than I used to be. There's been a lot of hardship along the way. But that's what life is. And it's how you deal with those things, and how you let them shape you that makes you a better person and defines what sort of person you're going to be.
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My awards are lovely. I love to show them off.
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I'd sometimes go to Paris by myself - it was an easy two-hour train ride - to get a break from the everyday grind, to walk around a big city, ride a subway, feel the energy of a world capital.
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I wanted to become an engineer, or get a masters in business. But I had the opportunity to do films when I was about 25 and it was a great way to express myself.
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Yes, my life is a life of combat; I can say that this has never stopped for a single instant. It is a combat that started for me at the age of 16. I'm 90 years old now, and my motivation hasn't changed; it's the same fervour that drives me.
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I'm reading scripts just like everybody else. Tin cup in hand, knocking on doors, trying to get a job. It's tough. They don't make as many films these days, and there's a lot of guys that are fighting for jobs.
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Fame put a lot of pressure on me in the Eighties and early Nineties - and I'm glad that I had the kind of makeup where I could come through it alive, keep myself in hand.
