Ann Wilson Quotes
Fame put a lot of pressure on me in the Eighties and early Nineties - and I'm glad that I had the kind of makeup where I could come through it alive, keep myself in hand.
Quotes to Explore
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I can create institutions, but I can't rewrite the chips in people's heads.
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Born with blue spectacles, you would think the world was blue and never be conscious of the existence of the distorting glass.
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When it comes to memories of that iconic type, memories that are burned into you, I have maybe ten or so from my childhood. I'm a bad rememberer of situations. I forget almost everything as soon as it happens.
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I used to conduct the last opera in Berlin on Sunday, get on a plane on Monday to Chicago, and start a rehearsal that same night, if it was a performance week.
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I don't see a superstar out there. I don't see Georges St-Pierre coming back.
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Reading is a huge part of life.
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It's understandable why TV hasn't been diverse because a lot of TV writers are white dudes from Harvard. And white dudes from Harvard aren't going to immediately want to write about trans issues. They're not immediately going to want to write about a Filipino family.
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I don't want to do anything like Can't Hardly Wait, I don't want to do anything like Scream. I saw all those movies, and they were good, but they're just not what I want to do.
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I like almonds as a snack - keeps your energy up but doesn't fill you up.
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Falling in love is the best way to kill your heart because then it's not yours anymore. It's laid in a coffin, waiting to be cremated.
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
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If you're not careful, you can fall into a destructive cycle of self-pity.
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A lot of guys go in immediately for status, as opposed to comfort and allowing their home to tell a story about them.
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Every year we celebrate the holy season of Advent, O God. Every year we pray those beautiful prayers of longing and waiting, and sing those lovely songs of hope and promise.
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People are so complex and multidimensional that raising someone to 'hero' status is too great a simplification.
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I had spent five years not earning a penny, getting rejected. Thank God I had a husband who was supportive and encouraging. But I still said to myself, 'If the Everleighs doesn't sell, I'm finished with writing forever.' I was going to get an office job.
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I'm pretty easily overwhelmed and pretty tough as well. I think I'm tougher than I used to be. There's been a lot of hardship along the way. But that's what life is. And it's how you deal with those things, and how you let them shape you that makes you a better person and defines what sort of person you're going to be.
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I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
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I used to be able to pick out the UFC fans when I was in the airport. Now, it could be anybody.
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You assume we are all sexually stable; while on the other hand, as I have become acquainted with people, I find that they are all perverted sinners, one way or another, that the whole society is corrupt and rotten and repressed and unconscious that it exhibits its repression in various forms of social sadism.
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I love strong looks, so to me, no makeup is strong. As long as it makes a statement, that's what I like. The girls look very real, and I'm probably the only makeup artist who will say that I love a woman without makeup.
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Many markets work best with little or no outside interference. But others - especially those subject to big 'externalities' - need a helping hand.
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Fame put a lot of pressure on me in the Eighties and early Nineties - and I'm glad that I had the kind of makeup where I could come through it alive, keep myself in hand.
