Betty White Quotes
I've worked with the Los Angeles Zoo for 45 years, and we have this magnificent photographer, Tad Motoyama. He takes these wonderful, wonderful animal pictures. All through the years he's given me copies of these pictures. Well, I have all these gorgeous ones, so I said, 'Tad, I want to do a book with your picture on one side.'
Quotes to Explore
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I suffer from a more complex, persistent fear. It manifests itself in nerves, and on film the camera sees even the tiniest evidence of this. So you have to learn that when the director calls 'Action,' you don't go to this place of tension, but somehow you become free.
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I love to cook. I could never give that up.
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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I would love to have some sort of 'Back To The Future' Delorean time machine travel device so I could go back to 1981 to see that very first Jackson 5 concert I went to, back when I was a kid.
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You can't say yes to every role, and you have to make people miss you. I don't want people to get sick of me.
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My 93-year-old grandma is a beautiful example of healthy living. She laughs a lot and always says, 'Just be yourself!' She also eats dessert every single day.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
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From the spinners, Anil and I have been together for a long time and I respect him a lot.
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Others may make you promises, once again, and then election after election not deliver. We will not do this.
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I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that.
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'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
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I do believe that reading can help you understand what you're writing and see what others are doing. But sometimes the desire for more information can act as an inhibitor.
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I definitely like performing to a crowd that's there to see a female hero.
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Cultivation of mind should be the ultimate aim of human existence.
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My films are personal-voice-driven films about human characters and the place we live. Technically, I'm an independent filmmaker.
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Bowdoin was the first place that I fell in love with. When I visited, I just had never been to a place with that many resources and that much access to information. That was stuff that you saw in movies. I didn't know that existed in real life.
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Independent contractors - a rapidly growing piece of the workforce - can often achieve the best quality of life. They can choose from where they work, whom they work for and for how long.
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It's not that the regulator doesn't want the banking industry to grow. The growth of the industry has always been in relation to the GDP (gross domestic product) growth.
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I was in the tennis bubble. I wasn't thinking about the big picture. I didn't notice what they said on television, I wasn't reading any papers. I had a coach and a manager, and they kept me in the bubble.
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This book is intended for use in English courses in which the practice of composition is combined with the study of literature. It aims to give in a brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. The numbers of the sections may be used as references in correcting manuscript.
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I've worked with the Los Angeles Zoo for 45 years, and we have this magnificent photographer, Tad Motoyama. He takes these wonderful, wonderful animal pictures. All through the years he's given me copies of these pictures. Well, I have all these gorgeous ones, so I said, 'Tad, I want to do a book with your picture on one side.'
