Betty White Quotes
I've worked with the Los Angeles Zoo for 45 years, and we have this magnificent photographer, Tad Motoyama. He takes these wonderful, wonderful animal pictures. All through the years he's given me copies of these pictures. Well, I have all these gorgeous ones, so I said, 'Tad, I want to do a book with your picture on one side.'
Quotes to Explore
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I suffer from a more complex, persistent fear. It manifests itself in nerves, and on film the camera sees even the tiniest evidence of this. So you have to learn that when the director calls 'Action,' you don't go to this place of tension, but somehow you become free.
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But we had a fantastic coach, Simon Clifford, who runs a British football youth game which teaches Brazilian techniques - which is what we wanted to incorporate into the film. And some of those things we eventually got in.
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I love to cook. I could never give that up.
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Every writer I know got their start in a library somewhere. We read a book, and we thought, 'I want to do that.'
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The director had come to Madrid to court me.
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A mind which really lays hold of a subject is not easily detached from it.
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I would love to have some sort of 'Back To The Future' Delorean time machine travel device so I could go back to 1981 to see that very first Jackson 5 concert I went to, back when I was a kid.
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You can't say yes to every role, and you have to make people miss you. I don't want people to get sick of me.
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My 93-year-old grandma is a beautiful example of healthy living. She laughs a lot and always says, 'Just be yourself!' She also eats dessert every single day.
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Right now I think censorship is necessary; the things they're doing and saying in films right now just shouldn't be allowed. There's no dignity anymore and I think that's very important.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
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From the spinners, Anil and I have been together for a long time and I respect him a lot.
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Others may make you promises, once again, and then election after election not deliver. We will not do this.
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I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that.
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'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
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I do believe that reading can help you understand what you're writing and see what others are doing. But sometimes the desire for more information can act as an inhibitor.
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I love the people I work with and the stuff I've found and that's found me.
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I can be walking down the street, and someone will stop me and ask me for one of my hugs. They feel like I'm their friend, which I love - though sometimes my kids get a little weirded out by it.
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Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.
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Look at nature with science as a lens. The rock swarms, the clod dances; the mineral is but the vegetable stepping down, and the animal an ascending plant; the man, a beast extended; and the angel, a developed human soul.
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I've worked with the Los Angeles Zoo for 45 years, and we have this magnificent photographer, Tad Motoyama. He takes these wonderful, wonderful animal pictures. All through the years he's given me copies of these pictures. Well, I have all these gorgeous ones, so I said, 'Tad, I want to do a book with your picture on one side.'
