Bill Burr Quotes
Quotes to Explore
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I was doing a scene in a medical tent in 18th-century battle dress, pantaloons and a ripped shirt, and the guy from the crew kept asking me if I was OK, if I was too cold. I told him, 'Are you kidding? I'm from Wales!'
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I love sweets. Like, every week of my life, I've had a cheat day.
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My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.
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The Ford Flex is a really, really cool car. You get inside and you have so much headroom and it's really comfortable to drive and it's real techy inside. You look at the screen and it's blue and you've got all kinds of controls. Everything is digital.
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Elegance is not a dispensable luxury but a factor that decides between success and failure.
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You learn to control every aspect of your muscles, your face, your toes, your fingernails. And that is how you tell a story, through movement.
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Culturally, the arts of Puerto Rico is really unmatched by any other island.
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When we cover a Chainsmokers song in our live show with ZBB, people are dancing and going crazy.
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I'm really fascinated by lingos and colloquialisms that are outmoded and have gone by the wayside. I love the way people spoke in the '30s, and the amazing slang of the mid-'60s and '70s.
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Our present will become the past of other men and women. We depend on them to remember it with the complexity with which it was suffered. As others, once, depended on us.
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We're all so mauled by information, but it's recycled information. We need to shut it out. So, you've got to get bizarre. This is an artist's purpose - to break away from the recycled. Performance art can do that.
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The fashion world doesn't know the word 'stop,' so you have to make sure there are sublime moments every day.
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Training is vital. You need to know the technical aspects of acting, just in case someone hands you a monologue and simply says, 'Cry here and laugh here.' You have to be able to make sense of it all.
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If you allow yourself to feel fabulous, you are fabulous.
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You want to be greedy when others are fearful. You want to be fearful when others are greedy. It's that simple. … They're pretty fearful. In fact, in my adult lifetime, I don't think I've ever seen people as fearful economically as they are right now.
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It's never an insult to be called what somebody thinks is a bad name. It just shows you how poor that person is, it doesn't hurt you.
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Violence is interesting. This is a great obstacle to world peace and also to more thoughtful television programming.
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And entreating his exalted weight, Under the stars, saints he planted.
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I am a lesbian trapped in a man's body.
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For those who have only ever read about [John] Calvin, reading the man himself is an invigorating experience.
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Considering how foolishly people act and how pleasantly they prattle, perhaps it would be better for the world if they talked more and did less.
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Moments are incredible, but in my fantasy mind I see a Globe company which is renowned throughout the world for what it does with pure storytelling. So that people come and say: it's not just the building, it's the only place you can hear this kind of work.
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If you're undercover for two or three years, I think you lose your private life.
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Gold diggers are the wife beaters of men!
